Them's that's got eyes upon to see, them's not hatheth the brains wot to unnerstand whath the heck they're looking ath with them eyes eth th thth.
This famous quote by Lord Something-Of-Somethingorother, who was afflicted with an appalling lisp, reminds me of the most common criticism of my blog: "it makes me laugh, but I have absolutely no idea what you're saying most of the time".
So let me make this simple:
This is a blog post. It is a review of some recently released records. The records are not well known, because I'd rather punch the panda of pop into next week's zoo and crack open a sparkling giraffe of dubstep instead.
Nightmares On Wax is back. thought so... is his annoyingly titled new album which plays havok with those of us who like our ellipses at the end of sentences and our capitals at the start.
There, the havok stops, because this is the earhole equivalent of soft furnishings, of magnolia, of a shop assistant's smile, of baked beans without the chilli powder, of food in a university refectory.
In short, it is not an Affleck's Palace: it is an Arndale Centre.
A tastier take on chill-out comes from Araya, whose debut LP Bridge Of Hesitation is grounded with tinkling synths and guitars, not unlike Lemon Jelly's more comatose moments, before being kicked up the arse with a more wiry version of the Boards Of Canada production ethic.
I can only review the mp3 version, which is a glitchy, meaty platter that pleases from the opening Plaid-ish chimes of The Mast to the panicked cut-up vocals of the stomping closer Child, Let's Stop.
The CD edition has more tracks, and even has a cut called Murakami's Kangaroo Zoo. For haruki's sake, what next - Ishiguro's Badger Super-Collider?
Finally, it's time to mirror, signal and (Roots) Manuva. I'm not sure what that means: but I do know that the best British rapper of the past decade has a new album called Slime And Reason. If you don't buy it, the super-collider will explode and we'll all be turned into purple semolina.