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Apr 8, 2026

A brush with electronic music: Jim'll Paint It's new Eraserhead album

Microsoft Paint artist Jim'll Paint It has released an electronic music album. This news is a surprise and a total delight. If you could see my face right now, you would see a big wide smile (drawn using the marker pen tool in the brush dropdown menu). 

His recording name is Eraserhead, the album is called Violence. It clearly comes from a passion for bass music, jungle, acid, IDM, breakcore and all the lovely stuff that has kept this music blog going for the past 21 years.

"This release is the realisation of a dream I’ve had since I was about 9 years old," says Jim, "recording noodlings from my Yamaha PSS-380 toy keyboard onto TDK tapes... This is the truest expression of self I’ve ever managed in any medium."

The collaborations are immense. D.A.R.E with Enduser is an apocalyptic mix of rolling breaks and industrial terror. Om Unit brings significant wub to the dark acid of Operation Hardtack. Nadia Rose is full of sass and brap-brap on title track Violence – referring to Eraserhead by saying "certain heads need erasing" is poetry.

He's got Beans spitting furiously over the bad-tempered jungle of Hurricane With Teeth - I was fond of his Antipop Consortium outfit back in the day. And I don't know what's going on with the the ambient screamo-rave hellscape of Monolith with Amée Chanter, but I like it. I really like it. 

Even without the collaborative tracks, there's distressed acid, growling digital ambience and even a saxophone that sounds like a randy housefly. Better that than the other way round: if you had a fly in your living room buzzing like a saxophone, you'd have to move out.

I'm an electronic music guy. I'm a cartoon illustrations guy. This album is two of my worlds colliding. It's the equivalent of Banksy dropping a glitch album or Rembrandt launching a punk band or Francisco Goya joining an experimental kazoo ensemble.

If you want to get the album, you can download it via Microsoft Pai-- oh wait, no, that's not how music works. You can stream it on Bandcamp and bag a copy on digital, vinyl or cassette.

Further Fats: Chosen Words – D is for Design (2010)

Further Fats: 8/08 – The most Roland day of the year (2025)

Apr 5, 2026

Holy heck, it's top of the God pops

Today is Easter Sunday, which is an annual day of celebration for that time a chocolate egg fell from heaven and killed the Easter Bunny to forgive our sins.

The UK singles chart is a pretty godless place. A quick scan of the current top 40 singles chart and I can see songs about Dracula, swimming, dancing and loving each other, all of which sounds terribly non-Christian. Erm. Probably.

To celebrate the day Jesus rose from being cross and ascended to Heaven nightclub – I really need to brush up on my Bible knowledge – here are the ten most successful Jesus-themed songs in the UK singles chart.

Disclaimer: I looked up the words “Jesus” and “Christ” and didn’t go much beyond that, so if I’ve missed something, feel free to condemn me to all seven circles of hell. Oh and they're in order of chart success, so we'll be ending on a couple of number one smashes.

10 – Longpigs: Jesus Christ (number 61, 1995)

While there were more prominent proponents of the Sheffield’s Britpop scene, the ‘pigs were absolutely brilliant. Jesus Christ was full of their typical yearning and the lead singer looked a bit like a future Matt Smith. Their guitarist went on to be in Pulp and their original drummer used to play for Cabaret Voltaire, which makes them the most Sheffield band ever.

9 – Delirious: White Ribbon Day (number 41, 1997)

An obscure choice here, but this did precede a four-year run of top 40 singles for this Christian praise & worship outfit. White Ribbon Day is proper religious – there’s praying and the cross and hallelujah and all that kind of thing. The gospel truth is they sounded like U2 from the late 1980s, which ticked boxes for people that found 1990s U2 too MacPhisto-ish.

8 – Green Day: Jesus Of Suburbia (number 17, 2005)

“Everyone's so full of shit,” preaches Billie Joe Armstrong on this nine-minute epic beloved by Green Day fans. This is, apparently, Green Day doing a Bohemian Rhapsody,  and the track is split into five movements, like me after a bowel exam. I was never a massive ‘Day follower, but it feels like we need their agit-angst more than ever now. 

7 – Kanye West: Jesus Walks (number 16, 2004)

Before things went south for West, he made tracks full of braggadocio and brilliant beats. Jesus Walks was super militaristic, but this was okay in the mid-2000s because the US army had definitely never done anything bad ever. Ahem. These days West is just full of braggadocio and bullcrap. Shame because his College Dropout years were banging.

6 – Ash: Jesus Says (number 15, 1998)

The video for Jesus Says has the camera spinning around and around, like you’re inside a washing machine. The effect prompted protests from fans who complained of nausea, but they needn’t worry coz they could just pop their vom-splattered t-shirt into said washing machine. “God give me strength,” sing Ash on Jesus Says. Fair comment.

5 – Depeche Mode: Personal Jesus (number 13, 1989)

For far too long, I thought a Personal Jesus was a personalised Christ service in which He followed you around all day and made bitchy comments like ‘You look fat in that jumper’ and ‘That blusher’s far too gay’. Anyhoo, this is Depeche Mode at their peak, and it gave the impending 1990s permission to blend rock and synths and change music forever.

4 – Marilyn Manson: Personal Jesus (number 13, 2004)

For far too long, I thought a Personal Jesus was a– oh hold on, we’re already done this. I’d lost track of Marilyn Manson and where the allegations were up to, so I googled “is marilyn manson a wrong 'un” and Google’s AI bot responded by saying that the truth is “subjective”. So that’s settled then. I do not want Marilyn Manson to reach out and touch me.

3 – Morrissey: I Have Forgiven Jesus (number 10, 2004)

Oh holy hassocks of hell. Am I in some kind of purgatory? Is writing this blog post punishment for my multitude of sins? Here comes another person I would not to choose to be stuck in a lift with. I wouldn’t even follow behind him on the stairs. I much preferred Mozza when he was a lyricist and not a polemicist, although maybe he has always been both.

2 – Cliff Richard: Saviour’s Day (number 1, 1990)

Finally. A perfectly normal pop star. Cliff’s religious output is universally awful, and his triptych of Christian chart-toppers – Mistletoe And Wine, Saviour’s Day and The Millennium Prayer – have the same linear drop-off as the Godfather trilogy. Still, I’m glad Cliff exists. If he wasn’t around to be God’s representative in the pop charts, we’d have to choose Ye and that wouldn’t do at all.

1 – George Michael: Jesus To A Child (number 1, 1996)

You’ve got to have faith, and you’ve got to have this caramel-smooth cheese-fest from king George. Without telling anyone, George Michael donated the royalties from Jesus To A Child to the ChildLine charity. That makes this paeon to a lost lover the most Christian track in this list.

Not much electronic music in this list. Jeez, get it together Jesus.

Further Fats: Delirious' bid for number one: the rock delusion? (2010)

Further Fats: Warning! Dinosaurs are taking over the UK album chart! (2021)

Apr 3, 2026

Name me a better remix album list than Daniel Avery's remix album list

“Alright, name me a better remix album than this,” says Daniel Avery to the camera as he brandishes a CD copy of Nine Inch Nails 1992 release Fixed.

Avery has just released Tremor (Midnight Versions), a reworking of his own album Tremor which came out last autumn. The remixes have a bit of a boogy about them – as he puts it, these are “club edits aimed squarely at the strobe light”.

Remixes are clearly on his mind, because he recently posted on his socials a tribute to his favourite remix albums. He leads with the Nine Inch Nails album, and the artwork for Midnight Versions seems to be inspired by the Nails artwork.

But he then mentions another batch of remix albums that he loves. Let's go through them.

The Human League / The League Unlimited Orchestra: Love And Dancing (1982), a dubbier take on their Dare album

The Cure: Mixed Up (1990), various twelve-inch bits and related bobs

Massive Attack V Mad Professor: No Protection (1995) – ain’t no Protection from this level of dub wizardry

Björk: Telegram (1996), various remixes of her Post tracks

Primal Scream: Echo Dek (1997), with Bobby’s band reimagining their Vanishing Point album, and oh my word how good was this era of Scream

Two Lone Swordsmen: Peppered With Spastic Magic (2004), although please can we let that word die

Aphex Twin: 26 Mixes For Cash (2003), which I wilfully misunderstand in this blog post

Soulwax: Nite Versions (2005) – they “reshaped my brain as a teenager” says Avery

That's a cracking selection, my favourites being Mad Professor, Primal Scream and Aphex Twin. I'd throw in Dangermouse and maybe Pet Shop Boys too, and I know James's Wah Wah doesn't count but it pretty effectively remixed my brain. 

What is your favourite remix album? Write your answer on a postcard and immediately remix it into a shredder.

Daniel Avery's Tremor (Midnight Versions) is out now.

Further Fats: Music Order Remixed New (see what I did there) (2017)

Further Fats: Cover me bad – Block Rockin' Beats by the Chemical Brothers (2021)