Showing posts with label best movies of 2010. Show all posts
Showing posts with label best movies of 2010. Show all posts

Dec 31, 2010

The best movies of 2010: Jonathan King, Justin Bieber and Junior (Robert Downey)

My life is very much like Inception. Despite the many onion layers of reality that comprise the depths of my ever-expanding brain, all it really amounts to is one slow car crash.

And so the cinema is where I escape from the vagaries of being your favourite blogger. I descend into the dark (row D, centre) with my Justin Biebpipe book* and my lifesize cardboard cutout of Italian Racing Driver Jarno Trulli** to enter worlds unknown to me; the flicks are my safety place, my padded celluloid.

This does not make me a cinema expert like, say, Claudia Winkleman*** or Peter Bradshaw****, and I should point out I have missed an awful lot of notable films this year including Shutter Island, Tron Legacy and Alice In Wonderland (I will see at least two of them in the next few days), but it does give me a right, I think, to foist upon you my top 30 favourite films of 2010.

Actually, it's a top 32 because I'm pretty sure a couple of these are technically oh-nines. The word 'favourite' is also a misnomer, because the ones at the bottom of the list are pretty crud. Think of this, then, as the Top Not-30 Favourite And Unfavourite Films Of Not-All-2010.

I think I'll start at the bottom of the barrel...

32 - Robin Hood

Never mind Men In Tights. I'd rather this have been Men In Tight Nooses, as Russell Crowe brought as much life to our national crook as a Clannad track. And what was going on with the mysterious Lord Of The Flies kids in the trees? Daylight Robinery.

31 - Shrek Forever After

Shrek cannot face up to the distance he has engendered between him and his family, so he is sent into an alternate reality. This is Inception for idiots.

30 - Nine

Daniel Day-Lewis plays a convincing Italian lothario, and Queen Judi of Dench flaps out her pair of lungs in an excellent musical performance. Shame then the songs are as compelling as being stuck inside a cement mixer with Kid Rock.

29 - The Other Guys

I read today that Will Ferrell is now the most unbankable actor in Hollywood. For every dollar he is paid, the KLF burn a million pounds, or something. Anyway, it's a buddy movie and it's quirky and it made me want to watch Anchorman again.

28 - I Love You Phillip Morris

This utterly unbelievable true story zips through the plot too quickly to really make me care, but it's still better than you'll think it is after I've described it as Brokeback Mountain meets Shawshank Redemption meets Liar Liar. No really.

27 - The Ghost

Yesterday, I ate a lovely ice cream sundae, but just before I finished eating it, I smothered it in steaming cat vomit. And today, I constructed a complicated house of cards, ensuring that the last card I placed was encased in five tonnes of petrified excrement. A solid thriller with an ending that I may, possibly, have issues with.

26 - Death At A Funeral

Chris Rock, Martin Lawrence and Tracy Morgan walk into a bar. You already know the conversation they'd have. This film is like that all the way through. With added HILARIOUS COFFIN JAPERY.

25 - Sherlock Holmes

Robert Downey Junior.  Robert Downey Junior. Robert Downey Junior. Robert Downey Junior. Robert Downey Junior. Robert Downey Junior. Robert Downey Junior. Robert Downey Junior. And some other people. A truly spirited remake of a tired classic.

24 - Cemetery Junction

Gervais and Merchant reach for Shane Meadows' sentimentality and deliver one of the strongest British films of the year, although I think I only like it because I am old and crumbly like a well-squeezed cheese.

23 - The Road

I stood up at a film lecture thing earlier this year and derided The Road as like driving on a motorway in the rain. I was beaten up and left destitute on the side of the M6, and so I resorted to cannibalism to survive. Fact. Still, despite the lack of emotional pull, it's a strong adaptation of a cracking book.

22 - Four Lions

As a piece of art, as a piece of ART, this film is a devastating commentary on noughties society, as a piece of ART. But as a film, I expected more dark thrills from the man who brought us My Wrongs 8245-8249 and 117, Blue Jam and something about cake.

21 - Bad Lieutenant: Port Of Call New Orleans

I should really hate this. It's a cop film, it's Nicholas "Nic" Cage doing kerrrrazy, and it's an entirely unnecessary remake. But it's has been drizzled with Coen Brother magic, or at least, a passable impression of the Coens. Hence the lizards. Yes. Lizards.

20 - Hot Tub Time Machine

Oh screw you, this was good, I tell ya. Yes, I like Miranda and I like Not Going Out and I like Ronnie Corbett. I have cheesy taste in comedy. Worth it for the moment when the film's title is said to camera. I actually clapped in the cinema. Strangest cameo of the year too.

19 - Let Me In

The boy was a little less fragile, the girl was a little less strange, and the title was a little more palatable than "Låt Den Rätte Komma In". This was still a remake you could get your teeth into though, hur hur, and you'll fang yourself for watching it, hur hur.

18 - Up In The Air

Sixty-seventy-two-hundred times better than Come Fly With Me and twelvety-pi-squared times worse than Airplane, George Clooney walks a fine line between a smug git and a compelling shell of a man. A fine film: maybe one for a DVD watch somewhere over Newfoundland.

17 - The Social Network

Like.

What? You wanted more? *****

16 - Buried

A big budget, action-packed thriller played out inside a single box, this was a flawed but enjoyable edge-of-your-seat spark of genius. Think of the first time you saw Falling Down. Now bury Michael Douglas alive and play out a similar kind of film. There. That's Buried.

15 - Winter's Bone

A hilarious comedy in which a resident of the barren Ozark Mountains gets into all sorts of scrapes with a wayward father, weird neighbours and a zany caper involving a boat and a chainsaw. Best watched between Married With Children and Only Fools And Horses.

14 - Youth In Revolt (spoiler alert)

Michael Cera appears three times in this list, two of which were in Youth In Revolt. Kind of like Fight Cl-- wait, that's a spoiler. Try again. Kind of like Psyc-- wait, I've done it again. Kind of like... Being John Malkovich but with only two Malkovich-Malkoviches.

13 - Cyrus

So many comedies have me waiting until winter so I can wee the word "MEH" in the snow, but Cyrus' story of a jealous son delivered buckets of punchlines and pathos in equal measure. It's not only the surprise comedy hit of the year, it's a must-see for anyone with a home studio.

12 - Crazy Heart

So the guy with the fish lips did the wrestling thing, and now the guy with the White Russians does the country singer thing. And yes, he treats women like objects and yes, I've had a rough night and I hate country music. It may be played for Oscar, but it still pulls the rug from under most films in 2010.

11 - The Town

Ben Affleck churns out a slushy romance story whilst constantly bitching at the success of his peer Matt Damon. Wait a second, that's all wrong. This is a gritty heist movie from inside the raw heart of Boston. What have you done with the real Ben Affleck?!

10 - Scott Pilgrim Vs The World

CUT TO: Edgar Wright's snappy directing style is pushed to maximum effect here. CUT TO: It's the best reimagining of a comic book I've seen, although I'm not really a graphic novel reader. CUT TO: It's laugh after laugh, it's just a shame when the plot gets in the way. FADE TO BLACK.

9 - Ponyo On The Cliff

Every bit as visually thrilling as Avatar (my thoughts on James Cameron here), Ponyo was a mesmerising, watery animation that was as weird as it was a political commentary. Think of Andrew Marr dressed as a fish. That's nothing to do with this film. just think of Andrew Marr dressed as a fish. There. Nice, isn't it?

8 - A Single Man

A grieving man plans his death whilst surrounded by the most beautiful actors and the most beautiful film set and the most beautiful acting you have ever seen. You'd think Colin Firth would be grateful, but no, it's all me, me, me. Don't get arsey, Darcy.

7 - Precious

If I said this was a film starring Jonathan King and brought to you by Pat Robertson, you'd not be interested. If I said this was a film starring Westlife and brought to you by the cast of High School Musical, you'd ignore it. Good job then this brilliant film stars Mariah Carey and was brought to you by Oprah.

6 - A Prophet

Things I don't intend getting locked in a room with: showering prisoners; an advice-dispensing apparition; a deceased deer; a prison 'don'; warring religious types; and definitely, definitely not a prophet with a razor.

5 - The Girl With The Dragon Tattoo

This film looks, sounds and smells great, and it produced the best heroin(e) of 2010 in the form of Lisbeth, the female with the mythical markings. I'm going to don my bike helmet and start hacking my computer immediately gh^(78WIO8--ggG2#p dammit, this is harder than it looks.

4 - Kick Ass

Look at the badger! This is a tremendously entertaining film that -- look at the badger! -- doesn't necessarily mean anything but -- look at the badger! -- packs so much punch per pound, I don't think I've been as easily entertained by anything else for a long time... ooo, look, a badger.

3 - Toy Story 3

A dog, a dinosaur, a donkey, a pig, two potatoes, a cowboy, a cowgirl and a Buzz Lightyear walk into an incinerator, and then... no, I'm not going to say. It's a scene that evoked tears and applause across the country and rightly turned the third Toy Story instalment into something much greater than its (warning, choking hazard, may contain small) parts.

2 - Inception

Jack from the Titanic dives into some fat orchestral chords and goes on a skiing trip to a dilapidated Venice whilst a girl who can't draw mazes folds up reality so she can fit it neatly inside a pocket inside a pocket inside a pocket. The end.

1 - Another Year

Mike Leigh and Ruth Sheen would be enough to get me watching this film (I'm a sucker for Leigh), but when you throw in Jim Broadbent and Imelda Staunton and THEN have the entire ripped heart of this masterpiece carried on the shoulders of Lesley Manville's tragi-comic turn, you have a meditation on ageing that nudges perfection. It looks exquisite, it twangs your funny bone as well as tickes your heart strings, and it has more to say than half the top ten put together. A true, deadpan, slightly-wrinkled British classic. (Read more here.)

Thank you for reading in 2010. I already have a good feeling about 2011: I'm gonna love it and hug it and pet it and call it George******.

* I got a Biebpipe book for my birthday. That's not really an excuse.
** I won Jarno from Ning Restaurant in Manchester, which also happens to be my favourite restaurant.
*** Is Winkleman any good? Seriously? I don't have a telly.
**** Pan's Labyrinth, Bradshaw once said, was "almost sort of late period M Night Shyamalan".
***** Social Network is not the golden egg the critics are saying it is, but still great. Read more on the Social Network here.
****** Wow, it's nearly two years since I've used an abominable snowman reference on my blog. You don't think you're reading anything original, do you? It repeats and repeats like the Beano, Iyaz's i-pod or your Christmas dinner. Happy new year!

Mar 7, 2010

If I was voting for the 2010 Oscars which I'm not, which quite frankly was a bit of an oversight

Edit: My predictions weren't bad. Look at the list of winners on the Oscar site.

Fatroland.com is sticking around on Blogger for the time being, so before I hit my drunken stride again with my usual wafflings about music that goes whoomp in the night, here are my tips for the Oscars.

Well. It would be a shame to let my Cineworld card go to waste.

Best Picture

Hurt Locker. There's no real competition. Precious is an immersing experience, as blogged about here, and looking at Oscar's newly beefed-up list, several of 'em turned up in my Best Movies of 2009.

But Locker has that perfect storm feel, like the third Bourne film or United 93. The other nominees are all worthy though, with two flies in the ointment: An Education, which I haven't seen, and Avatar, which is an awesome triumph of style over any kind of substance whatsoever.

Actor In A Leading Role

Jeff Bridges was the grizzled dad you wish you'd had in Crazy Heart. I still have a lot of Dude love for the guy: even now, my heart skips a beat when he's drinking in a bowling alley at the start of Heart. The gong should go to Colin Firth, though, for his portrayal of grief in A Single Man, if only for this phone call scene.

Actor In A Supporting Role

The opening scene of Inglorious Basterds is so simple, so beautiful and sets up the conflict with the minimum of fuss. The rest of the film was a disappointment, with the chilling exception of the crazy-ass Christoph "That's A Bingo!" Waltz as the Nazi officer.

Actress In A Supporting Role

Two nominations for Up In The Air? Really. It was a good film, but I can't help feeling a slot has been pilfered here. And I don't think Penélope Cruz should get the proverbial nod over Judi Dench, who was a all-singing revelation. So then. Mo'Nique should easily bag this as a brutally possessive mother and the best film villain since Anton Chigurh, albeit with real hurts rather than a two-headed coin.

Animated Feature Film

What no Avatar? I don't see how that is any less an animation than the hand-scrawled works of Hayao Miyazaki. As for the nominations, I was disappointed with Fantastic Mr Fox, thrilled by Coraline, but would give an Oscar to the wonderful Up.

The other bits no-one cares too much about

I haven't seen enough to make a judgement on Actress In A Leading Role and a lot of the other categories are best left to the experts.

I can tell you that Avatar looked great, the costumes in Nine were fabulous, A Prophet should have been in for best film, never mind best foreign language film - oh and the music shone in Crazy Heart, A Single Man and, above all, Moon. Does Moon count towards this year? Anyways...

A final thought. If Serious Man and In The Loop don't get screenplay awards, if they don't start moving up the screenplay awards up the order of priorities, and if Kathryn Bigelow doesn't leave the Oscars beknighted as Queen Of The Universe, I'll eat my Cineworld card.

Mar 1, 2010

Best movies of 2010 (Jan / Feb)

In alphabetical order and not ranking, here are the five best films of the first two months of 2010. According to me, of course. Not that I know much, but if you've seen any other films, I'll tazer you.

A Prophet

Following one character scene-by-scene in a two and half hour French prison drama ought to feel like more work than it was, but this startling mash-up of Shawshank meets the Godfather races by.

The first third is the best as we reach an Act One climax involving a brutal sex act which, believe me, is not what you've been led to expect. Tahar Rahim (pictured on the right, above) negotiates a tense tightrope of loyalty, racism and ruminant mammal dreams.

A Single Man

And you thought The Road was depressing? Of course Colin Firth deserves the Oscar. Since I saw the film, I've watched the phone call, in which he is informed of his lover's death, again and again.

His performance in A Single Man is minutely studied, as layer upon layer of this collage professor is economically stripped until one little smile near the end of the film tells you everything you need to know about his journey. Contains serious levels of man totty.

Precious

Another Oscar tip, this time for Mo Nique as the sadistic parent of put-upon Harlem teenager Precious. I didn't think a film produced by Oprah starring Mariah Carey would be this good.

This is a drama that wears its intentions a little bit too much on its sleeve (hey, we need to create character empathy, let's bully her to hell and back) but it is still a rivetting and immersing experience where the cold streets of Harlem will have you in tears.

Sherlock Holmes

Not my kind of film, so why is it here? Four words. Robert Flippin' Downey Junior. He performs the opium-toking sleuth as Johnny Depp played Captain Jack Sparrow: just the right side of unhinged throughout the whole film and a reeling contrast of colour and sparks to Jude Law's stuffy Watson.

It's a shame then that the downside is its director, who mistakes story for fight scenes. Still, what amazing fight scenes (the double-scenes are a revelation). It's Ritchie's best since Lock Stock and that includes Snatch.

Up In The Air

Clooney does his Tom Hanks, deadpanning it as a man who spends his life in airports. There are no fireworks in his performance, no hair gel obsession, no teeth paranoia, just a bloke who is slowly having his barriers kicked down by a delightful Anna Kendrick (playing out-of-her-depth to perfection).

It lacks substance, despite Clooney going through some massive rejections. Could have done without the talking heads.

Also-rans

Hey, Fats, you missed The Road. Yeah, I took a wrong turning because the McCarthy adaptation bypassed a rollercoaster of emotion in favour of something akin to a trip to the shops. You're right, though, it was otherwise brilliant.

Youth In Revolt was Michael Cera giving us more Michael Cera, but that's a good thing because he lights up the screen throughout - and there's a lot of him this time.

Meanwhile, Daniel Day-Lewis is predictably an eye-popping, heart-pumping master of the craft as a washed-out Italian film director in Nine. It's just a shame most of the songs are tedious and the story seems to miss the mark.