Sep 30, 2024

Charley says you should always trust a scheming pussycat

 

In summer 1991, the electronic dance music act The Prodigy had a top ten hit with Charly. It led a craze of telly-sampling rave hits, and started a long career for the Prodge who went on to have ten more top ten singles.

The iconic miaowing cat sample was taken from a series of public information films made in 1973, with the titular cat being voiced by DJ and presenter Kenny Everett.

This much we know.

However, I am hear to tell you that Charley the cat from the original films was, and I'm sorry to say this, a bad cat. (Yes Charley, not Charly. For some reason, the Prodigy, ahem, dropped the e.)

That's right. Charley the cat was a bad, bad cat. Here's why. Let's go through each of the Charley films produced by the government's Central Office of Information.

Charley film 1: Falling in the Water

Charley the bad cat leads a small boy away from his father during a fishing expedition. While showing off, Charley the bad cat jumps over a puddle and falls into a pond. Charley the bad cat ends up freezing wet and wrapped in a towel, spoiling everyone's day.

Charley film 2: In The Kitchen

In the family kitchen, Charley the bad cat is startled by a pot of over-boiling water and the fatty spit of frying sausages. Charley the bad cat then walks out of the room, directly behind the legs of the family's mother, who is chopping vegetables with sharp knives, probably. Dangerous.

Charley film 3: Matches

While playing with alphabet blocks with a small boy, Charley the bad cat dives onto the table and scatters everything everywhere. During the mayhem, he pushes a box of matches towards the small boy, who proceeds to reach for the matches, presumably for arsonistic reasons. At the end of the video clip, Charley the bad cat and the small boy walk off, leaving the matches scattered on the table.

Charley film 4: Mummy Should Know

After doing handstands carelessly in a back passageway, Charley the bad cat prevents a small boy from hanging out with his friends. Instead of socialising with his peer group, the small boy is forced to go to the park with his mum while Charley the bad cat eats a fish, no doubt stolen from a fishmonger on the way to a park. 

Charley film 5: Charley's Tea Party

While tearing around the house with inconsiderate abandon, Charley the bad cat claws at a table cloth. Charley the bad cat tugs the cloth so hard, he brings the table's contents crashing to the floor and destroys an entire tea set, a loaf of bread, and a plate of cod. I suspect this is a metaphorical and literal swipe at Jesus's feeding of the five thousand with loaves and fishes. Charley the bad cat ends up badly scalded, and appears to have torn up the tablecloth to use as bandages.

Charley film 6: Strangers

As a small boy is playing on the swings in a local park, a very nice stranger offers to show him some puppies. Charley the bad cat pulls the boy back and, not for the first time, prevents the boy from making friends with someone who's not a cat. Charley the bad cat is rewarded for his gaslighting with a big juicy fish, while the friendless small boy has to make do with an apple.

So there you have it. The Prodigy launched their lengthy career on the back of a manipulative moggy who seemed intent on destroying the social life of an innocent child. Public information films? Feline red flags, more like.

Watch out, Custard our of Roobarb and Custard. I'm coming for you next.

Further Fats: The Prodigy's Invaders Must Die: tingly breakdowns and a trouserful of fun (2009)

Further cats: You can watch all of the Charley films, and much more besides, in the National Archives^

Charley illustration: Fat Roland

Sep 25, 2024

Being boring: I am not blogging about the Pet Shop Boys, honest

After seeing them on their greatest hits tour, I decided to write another Pet Shop Boys blog post. Something about the best Pet Shop Boys singles. The greatest moments of the Pet Shop Boys, that kind of thing. Top 37 sexiest Pet Shop Boys deadpan glares.

And then the blog post lay in my drafts gathering dust. Because who cares about my opinions on the Pet pals? They're great. Of course I think they're great. Whoop-di-doo. And the Pope is catholic and Bear Grylls poops in the woods. Big deal.

The idea seemed as appealing as a live stream featuring Elon Musk talking about crypto. Or Elon Musk talking about woke. Or Elon Musk talking about anything.

So I deleted the whole thing. You won't be able to read my waffle about Steven Hague's extended remix of Love Comes Quickly, which lets the caramel smoothness of the original overflow like an exploded sweetshop.

And I binned my enthusings about the Always On My Mind / In My House mash-up that felt utterly subversive because I didn't think you were meant to do that to number one singles back then.

No will you get to appreciate my thesis about the 2021 Russell T Davies television series It’s A Sin, with Olly Alexander playing a troubled Tory-boy. What thesis? That if you really squint, like proper squint so your eyes look like bum holes, you can see that series as part of the extended PSB It's A Sin universe, as if it's an extension of the 1987 number one single itself.

I would have published something really inspirational about the tracks Vocal from their Electric album and The Pop Kids from their Super album offering a meta-narrative about the PSB musical universe. Or something about the rich place-building of Suburbia and West End Girls?, the latter full of shadows and shady street-life. 

And there's the financial cynicism connecting 1980s singles Rent and Opportunities (Let’s Make Lots Of Money), and how that kind of narrative is not present in their later singles. Or the geopolitics of It's Alright. Or the themes of love in the almost-but-very-much-not rhyming So Hard and Heart. And is Domino Dancing about love or lust?

Is Electronic's Getting Away With It a Pet Shop Boys single? Are we allowed to include that too? How about Eighth Wonder's PSB-penned pop banger I’m Not Scared? Dusty Springfield's Occupy Your Mind? Where does Neil-Chris end and the rest of the universe begin?

And you'll never get to read my ramblings about the singles in which vocals are secondary. Such as the Clothes Show theme tune In The Night (Arthur Baker remix) where people of a certain age remember the tune but not the words? Or the emotive instrumental Axis which provided such a thrilling opening to their 2013–2015 Electric live show?

Nah. You don't get to hear my bland blatherings about how important I think the Pet Shop Boys are. Can someone please press the 'delete draft' button? Thank you.

Further Fats: 14 'til I die: remembering the teenage me's music habits (2020)

Further Fats: Pet Shop Boys create their own magical dreamworld at Co-Op Live (2024)

Sep 14, 2024

Ultimate 90s number one: It's getting, it's getting, it's getting kinda hectic

Here is the latest episode of the Ultimate 1990s Number One series. Of the 206 singles that topped the chart in the 1990s, I pick a group of ten(ish) and decide which ones go through to the Ultimate grand final.

I'm judging each track based on how much of a banger it is, and how much of a bleepy electronic treat it is. There are eleven contender's in this latest group. Which will be top of the pops, and which will be, er, flop of the plops?

Let's go.

The contenders

The Chemical Brothers: Setting Sun  |  Chesney Hawkes: The One And Only  |  Culture Beat: Mr. Vain  |  Eternal featuring BeBe Winans: I Wanna Be The Only One  |  Gabrielle: Dreams  |  Geri Halliwell: Mi Chico Latino  |  Manchester United F.C.: Come On You Reds  |  Peter Andre: Flava  |  Ronan Keating: When You Say Nothing At All  |  Snap!: The Power  |  911: A Little Bit More

Christian flashbacks

I remember selling BeBe Winans albums back in the distant days when I worked in a Christian bookshop. These flashbacks alone exclude Eternal from progressing further in this competition. Geri Halliwell's first solo number one single prevented Alice Deejay from getting to the top of the charts, which is unforgiveable. And there's no way I'm letting a football song proceed in this contest, despite Manchester United F.C.'s Come On You Reds technically being Status Quo's first chart-topper for two decades.

Songs to forget

There are three more tracks that can be easily dispensed with. In the waning months of their career, 911 finally scored a number one single with a sub-Steps ballad called A Little Bit More. I would rather have had a little bit less. Incidentally, 911 started off on an independent label, and their debut single Night To Remember was funded by a guy who ran a chain of opticians. There's a joke there somewhere, but I can't be bothered to write it.

I once interviewed Peter Andre for a magazine. He was fairly unmemorable, which also sums up all of his 1996 number one singles. And I know it's a cheesy dance classic, but Mr Vain by Culture Beat is a silly song. It's a pity this was producer Torsten Fenslau's big hit, and not something under his moodier Out Of The Ordinary alias.

Too many Chesneys

The next three tracks that I am chucking out of this competition are, without question, bangers in their own way. Well. Maybe not Keating...

No-one remembers the 1991 film Buddy's Song in which Chesney Hawkes starred alongside the shotgun-wielding Boon star Michael Elphick. However, they do remember his colossal hit The One And Only, which was written for him by Nik Kershaw. Did you know that jazz trumpeter Chet Baker's real name was Chesney? Now you do. Don't tell anyone.

Dreams by Gabrielle prevented Haddaway's What Is Love from getting to number one. I'm not sure what I feel about this. I suspect Gabrielle always covered up her right eye because she had a tattoo of Haddaway on her eyeball.

If I had to choose between listening to Ronan Keating's When You Say Nothing At All and having my nostrils bulldozed by a gun-raddled James May from Top Gear, I would choose Ronan. Just. But only just. 

For Chris' sake... 

That leaves us with two tracks, both chart bulldozers intent on flattening your ears into, er, little ear pancakes.

In 1996, The Chemical Brothers achieved their first number one single with Setting Sun. Although previous single Loops Of Fury should have been number one. And Life Is Sweet before that. And Leave Home before that. And all the stuff they did as the Dust Brothers. When Radio One DJ Chris Evans played Setting Sun, he immediately stopped the track, saying it was too much for his daytime listeners. What a banger.

Some records hit so hard, they form craters in the landscape of my musical upbringing. One single with such pockmarking power was, well, The Power by Snap!. By topping the charts with their debut single, Turbo B and his buddies denied The B-52s and Candy Flip their best and only chance at scoring a number one UK hit. And what a single it was. Discordant, robotic, soulful and uncompromising, The Power taught me that you could be defiantly weird and still achieve commercial and critical success. Another banger.

Both Setting Sun and The Power go through to the final of Ultimate 90s, mainly because if I met either track in a dark alleyway, they would definitely duff me up. This competition is, in the words of the Snap! track, getting, getting, getting kinda hectic. Stay tuned for future instalments.

More Ultimate 90s number ones