Showing posts with label roots manuva. Show all posts
Showing posts with label roots manuva. Show all posts

Dec 13, 2016

Listen to Coldcut's comeback single Only Heaven and try not to picture me naked


You remember Coldcut's Autumn Leaves, right? That delicate vocal, the huge orchestra, the ambient remix. As soon as I heard it all those years ago, I ran naked onto the streets, frolicking beneath the trees, kicking up a storm of foliage in the shadow of the branches as the breeze hardened my nipples to bullets. You did that too, right? The Coldcut song? It made you do that too, right?

No?

Sigh. Coldcut are back after a decade of silence, so this brand new single is muh-assive news. I'm going through a Roots Manuva phase at the moment, so his appearance is very welcome. This is called Only Heaven, which means I'm derobing and prancing off to the pearly gates right this instant. Gonna kick me some angels.

Here's the track. It's got Thundercat on bass. Enjoy.



Further Fats: Merry Pissmas - contains further thoughts about trees (2006)

Further Fats: Magnetic Man's impending chart success is more exciting than electrocuted nipples - contains further thoughts about nipples (2010)

Apr 13, 2009

Mr Scruff's dried rabbits, LD's deep woofs and Mujava's drained drums

Here are some tracks that ought to be caressing your pretty ears right now.

Potato-drawing tea evangelist Mr Scruff (pictured) has teamed up with preacher's son Roots Manuva for a track called Nice Up The Junction. It's a solid piece of dub skank with some meaty "wooh" action, and the video features a jumble sale flogging used tea bags and "dried rabbits".

Dubstep label Hyperdub lit a really slow fuse when they let LD loose on new 12" Traumatic Times.  With its deeply woofing bass, the title track is so low-down, it's doing the limbo underneath your carpet. Flip side Woodblock is a slap round the chops in comparison, and is worth hunting out for its simmering, insistent, rolling techno.

And while I'm a techno tip, if you come across Boy 8 Bit's remix of Mujava's Township Funk, it's worth stopping to say hello. I should point out that Township Funk is minimal house music's version of Rihanna's Umbrella: it's simply massive. Boy 8 Bit magnifies the moodiness. eliminates the tribal drums, and uses menacing synth lines to drain any possible happiness from the track until the glass is indeed half empty. Stupendously, stunningly stern.

Sep 6, 2008

"No. No. You've still lost me. Could you rewrite it with just the facts and about 50% less nonsense?"

Nightmares On Wax

Them's that's got eyes upon to see, them's not hatheth the brains wot to unnerstand whath the heck they're looking ath with them eyes eth th thth.

This famous quote by Lord Something-Of-Somethingorother, who was afflicted with an appalling lisp, reminds me of the most common criticism of my blog: "it makes me laugh, but I have absolutely no idea what you're saying most of the time".

So let me make this simple:

This is a blog post. It is a review of some recently released records. The records are not well known, because I'd rather punch the panda of pop into next week's zoo and crack open a sparkling giraffe of dubstep instead.

Clear? Good.

Nightmares On Wax is back. thought so... is his annoyingly titled new album which plays havok with those of us who like our ellipses at the end of sentences and our capitals at the start.

There, the havok stops, because this is the earhole equivalent of soft furnishings, of magnolia, of a shop assistant's smile, of baked beans without the chilli powder, of food in a university refectory.

In short, it is not an Affleck's Palace: it is an Arndale Centre.

A tastier take on chill-out comes from Araya, whose debut LP Bridge Of Hesitation is grounded with tinkling synths and guitars, not unlike Lemon Jelly's more comatose moments, before being kicked up the arse with a more wiry version of the Boards Of Canada production ethic.

I can only review the mp3 version, which is a glitchy, meaty platter that pleases from the opening Plaid-ish chimes of The Mast to the panicked cut-up vocals of the stomping closer Child, Let's Stop.

The CD edition has more tracks, and even has a cut called Murakami's Kangaroo Zoo. For haruki's sake, what next - Ishiguro's Badger Super-Collider?

Finally, it's time to mirror, signal and (Roots) Manuva. I'm not sure what that means: but I do know that the best British rapper of the past decade has a new album called Slime And Reason. If you don't buy it, the super-collider will explode and we'll all be turned into purple semolina.