Best electronic music albums of 2025: a carnival of ghosts and a lake of haddock

This summary is part of a series, posting between 30th December 2025 and 3rd January 2026

This is a summary of ambient albums released in 2025. For those unaware of ambient music, it's basically like normal music but everything's floating in space, or floating in water, or floating in spacewater, which is a kind of water I just made up. Enjoy.

Biosphere – The Way of Time (AD 96)

Veteran ambient producer Biosphere, Mr Sphere to you or me, dug into the past for his epic new album. It's inspired by twentieth century writer Elizabeth Madox Roberts, and his compositions take in a Beethoven string quartet, a 1951 radio adaptation and his usual rack of analogue gear. The vocal samples will give you goosebumps.

Debit – Desaceleradas (Modern Love)

Using old Sonido Dueñez DJ mixtapes, Debit brings us an album of cumbia rebajada, a Mexican subgenre of music in which everything is slowed down. Woozy. Lethargic. Flipping well spooked out. It's perhaps less haunting than her previous Modern Love output, and the closing title track sounds almost carnivalistic. Well. If the carnival was full of ghosts.

Loscil – Lake Fire (Kranky)

Nearly 400 million square kilometres of land burn in wildfires every year. It's a terrifying figure. So here comes Loscil with an album "celebrating life while the world burns". He presents the smoky drones of Ash Clouds, and the suffocating fumes of Candling. This is slow ambience, beautiful in its completeness, and so very hot, hot, hot.

Ø – Sysivalo (Sahko Recordings)

This is Mika Vainio's final work as Ø, finally completed eight years after his death. The title comprises the Finnish words for dark and light. There are plenty of shadows and shiny bits in its numerous short ambient tracks. Brooding and pensive, stardusted and heavenly. "Vainio's last word," says the press release. No, there's a lump in YOUR throat.

Pye Corner Audio – Lake Deep Memory (Quiet Details)

More grandiose ambient divination from the UK's most cinematic producer. This one was inspired by Guatemala's Lake Atitlán, the deepest lake in Central America. And it sounds like that lake. Extravagantly expansive, impossibly deep, gracefully sweeping and endlessly rippling And full of haddock. Probably. 

Steve Hauschildt – Aeropsia (Simul Records)

I don't think ambient music is allowed to have bangers, but this is as close as it gets. Hauschildt calls his seventh full-length album an ode to Chicago – he recently moved from there to Georgia (the country, not the state nor the hamlet in Cornwall). It's full of classical and house oomph. like Kiasmos if they were made from cotton wool. Fluffy bangers.

Whatever The Weather – Whatever The Weather II (Ghostly International)

Loraine James' introspective pseudonym is back. Again, all the tracks are temperatures, ranging from 1°C (brass monkeys, mate) to 26°C (ice baths in the supermarket car park). There are swathes of textures, homely chords, evocative chattering samples, and the occasional burst of popping and spotted micro-rave. All that an a brilliant opening line: "It's a bit chilly, innit."

See all of my Best electronic music albums of 2025

Top 50 electronic music albums of 2022: Whatever The Weather, Biosphere, Maxime Denuc

      

This is the [mumble]th of ten blog posts laying out numbers 50 to 21 in my end-of-year countdown of the best electronic music albums of 2022. I dunno. I've lost count. I'm typing furiously to stay ahead of my blog schedule, smashed on peanuts, Smarties, Diet Pepsi and Windowlene. Anyway, let's continue. Here are three more albums to pad out this never-ending Top 50.

See the full countdown here.

Whatever The Weather: Whatever The Weather (Ghostly International) + 

This was the outing of the new ambient alias from the critically acclaimed London producer Loraine James. The track titles are temperatures, ranging from the scorching 36°C to an exactly freezing 0°C. Which suits the album, because even when she’s dropping beats into the foggy atmosphere, it’s either snowflake crystalline or devilishly scorching. Phew. Also worth checking out is her other 2022 album, the Julius Eastman interpretation Building Something Beautiful For Me (Phantom Limb) – this is also hot / chill stuff.

Biosphere: Shortwave Memories (Biophon)

Let’s stay with ambience. Apparently Geir Jenssen took inspiration from post-punk for this latest album. You can’t hear much of that in the rich chords, the long structures and that ever-so-90s bass. Instead, thanks to the reintroduction into his sound of vintage analogue synthersisers, we have an evocation of classic Biosphere. Moody and moving ambience.

Maxime Denuc: Nachthorn (Vlek)

I’ll fess up. I used to help organise a rave in a church. It was called TAS:TE, although I can’t for the life of me remember what that stood for. As if treading in my footsteps (ahem), Denuc plays rave music on a church organ. Indeed, it’s all there: the thudding rhythms, the choppy chords, the banging melodies. Except it’s all on a pipe organ. This Album Soars: Totally Ecstatic.

This is part of a series of the Best Electronic Music Albums of 2022. Read it all here.