This summary is part of a series, posting between 30th December 2025 and 3rd January 2026
Blackploid – Cosmic Drama (Central Processing Unit)
German producer Blackploid has had a lot of fun with his latest album. Flirty drum machine patterns get hot and sweaty with growling basslines, with plenty of digital dramatics, Imagine a bunch of robots short-circuiting on the dancefloor. A touch of Drexciyan humanity in the enjoyably robotic world of Central Processing Unit.
Bogdan Raczynski – Slow Down Stupid (Disciples)
He's featured multiple times in my end-of-year lists. This is meant to be a slowed-down version of his 2024 album You’re Only Young Once But You Can Be Stupid Forever. So skippy noodlings become woozy soup, and everything becomes a bit of a ketamine entity. It's how I felt in my maths exams. Weirdly enjoyed learning the numbers and stuff, but the exams turned my brain to mush.
The Flashbulb – Papillon (self-released)
Let's pop Stateside to see what The Flashbulb is up to. This short album is a rather fluffy addition an otherwise intricate catalogue of works. The beats skip merrily, the synth lines dance about t he keyboard, and the nu-jazz vibes style it out with confidence. It's neat stuff and probably a good entry point for people wanting to get into IDM stylings.
µ-Ziq – 1979 & Manzana (Balmat)
These pair of Mike Paradinas albums were released a week apart, so I'll deal with them with one entry. This is µ-Ziq in contemplative mode, in with his signature melting-clock chords are even drippier than normal. Manzana in particular has some serious heroin haze, and if some of this work isn't used in horror soundtracks, I will poke my eyes out with a stick. Or a µ-Ztick.
Ship Sket – InitiatriX (Planet Mu)
In music's underbelly is the belly button itself: it's moist and mucky, and exactly where we find Manchester producer Ship Sket's debut album. Frequencies collide in this dark mix of grime, shattered techno and distended footwork. Listen to Casting Call's caustic EBM collapse into a circuit-bent piano disaster. You want to look away but you can't.
Wagon Christ – Planet Roll (De:tuned)
Hallelujah! Christ has returned! It's classic Luke Vibert, which, for those new to his formula, consists of party beats, end-of-the-pier synth wibbles, and a phalanx of playful vocal samples. "Bitch!" say the samples on Bitch. It's doesn't break new ground, but why should it? Vibert doing Vibert is a joy, and mid-album track Acid is up there as one of his bestest ever tunes

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