Best electronic albums of 2019: attacking electronic equipment with stationery

My top 20 list of the best electronic music albums of 2019 is well underway. But let's have a quick fag break and consider some albums that didn't make the final cut: my continuing longlist of the best-of-the-rest.

The press blurb for Jodey Kendrick's EDM Vol.2 (Dub Recordings) suggests listening to this album is good for your brain development. All I know is I loved this squiggly Rephlexian IDM. Meanwhile, Antwood based the stonkingly spangly narrative album Delphi (Planet Mu) around a fictional lovelorn girl who comes complete with her own theme tune. And while we're on Planet Mu, Rian Treanor diced club music to pieces on the choppy ATAXIA (Planet Mu), and it sounded like someone attacking a computer with a hole-punch. In a good way.

Lisbon's Photonz added a queer Balearic flavour to house music in the strong debut album Nuit (Dark Entries). New York label owner Anthony Naples impressed with expensive house on Fog FM (ANS) while Bristol producer Shanti Celeste evoked the spirit of dub techno on Tangerine (Peach Discs): brisk house cuts meet blunted ambience.

Ooo, I must mention WH Lung whose wonderful and psychedelic Incidental Music (Melodic) evoked early Verve when Verve were just Verve without the "The". Aleksi Perala's Sunshine 3 (Dub Recordings) was so bright and cosmic, you could feel the stars twinkling in appreciation.

And two final mentions for this slightly genre-ambivalent section. The titanic techno twiddler Bogdan Raczynski returned to us with Rave 'Till You Cry (Disciples), which was as fun and as daft as I had hoped. And I hold a special place in my heart for the unique Lee "Scratch" Perry. Adrian Sherwood brought out the best in ole scratchy on Rainford (On-U Sound).





Scroll the full best-of-2019 list here.

Five things: from Spice Girls to Underworld with a bit of Toy Story inbetween

Here are five things I got up to this week.

1. Got proud

I went to Didsbury Pride, which is a celebration of LGBTQ+ people by Emmanuel church in Manchester, the church I went to for many years back in the olden days. It's a wonderful thing, and when I got there everyone was drinking spirits and dancing to the Spice Girls. I didn't recognise anyone, so I hung around awkwardly for ten minutes and then went home. Ah well. It's still a wonderful thing.

2. Got silly

I co-hosted Bad Language, the monthly spoken word night I run with Joe Daly. I'd missed the July one as I was in Edinburgh, so it was great to be back. And for some reason it was packed. Mid-week after a bank holiday weekend and everyone came out to party. Nutters, the lot of you. I'd been to a funeral earlier in the day, so it was just the tonic to be silly in front of an audience all night.

3. Got confused

This happened in a coffee shop:

Me: What drinks do you have that don't have tea or coffee in?
Barista: You don't drink coffee?
Me: No.
Barista: How about a tea?
Me: I don't drink tea. I'd like an iced drink.
2nd barista walking in: You don't drink coffee or ICE?!

4. Got annoyed

I saw Toy Story 4 and blubbed. I always blub at films. Oh and I started series two of Mindhunter, a grisly serial killer drama where you don't really see the grisly bits. It's such a good programme, although it fell for a well-worn trope. In one scene, like so many other programmes, they dubbed feedback over people talking talk into microphones. This doesn't happen unless sound is being mismanaged or it's an actual soundcheck. Stop doing it, programme makers! *squeeeals*

5. Got listenin'

I've been listening to things. Every other day on my Twitter account, I post a "you should be listening to" recommendation, old or new or somewhere inbetween. I've recently plugged Antwood, D-Shake, Underworld, Daphni and Jamie xx. To hear my nuggets of audio wisdom. follow me on the tweets.

Also-rans: demons, Durban, WWWINGS and weapons

Mind if I dump this dark weird stuff here? Okay, thanks. Here are some strange, experimental albums that didn’t make the final cut.

For example, Elysia Crampton’s critically acclaimed Demon City (Break World Records), which was deeply unsettling in a pleasing, genre-bending way. Maybe it was all that demonic laughter she kept dropping in. No, really.

I think I called Antwood’s Virtuous.scr (Planet Mu) “throbbing innards” for Electronic Sound. But in a good way. There’s also the twisted grime of WWWINGS’s PHOENIXXX (Planet Mu). If you want sparse, try the angry Fatima Al Qadiri’s Brute (Hyperdub) or Lucy’s industrial Self Mythology (Stroboscopic Artefacts).

I’m not meant to be covering compilations, but the throbbing Durban breaks of Gqom Oh! (GQOM OH) scared the life out of me. As did the crumbling white noise of Ceramic TL’s Sign Of The Cross Every Mile To The Border (Halocline Trance). Finally, the legend that is Roly Porter was back with some classical noise on Third Law (Tri Angle), there was a mega triple bashment LP from (deep breath) Alix Perez, Chimpo, Fixate, Fracture, Om Unit, Sam Binga and Stray (phew) in the shape of Who Is Richie Brains (Exit Records).

Oh and I have to mention the debut album just out from Seattle’s Homemade Weapons. The precision-engineered Negative Space (Samurai Music) seemed to point towards something interesting and new for drum ‘n’ bass.





Scroll all of the best 2016 electronic albums by clicking here.