The other day, the UK government tested its national Emergency Alerts system. On a quiet Sunday afternoon, millions of mobile phones blared out a siren. The alert might be needed for real one day, in case of fire, flood or Taskmaster going off air.
This was, naturally, a chance for me to be silly. Shortly before the test alert was triggered, I posted this across my social media channels:
Reminder: At 3pm today, the Fat Roland alarm will go off. Please prepare by having to hand an egg whisk, two car manuals and a cone of marbles (medium). No further instructions will be given.
Arf! Silly post, a bit of fun, let's move on.
Except...
Twitter has an AI chatbot called Grok. It likes to go round explaining things as if we were little children. And yes, I'm calling the service Twitter because it's current name makes me, er, cross.
I asked Grok to analyse my Fat Roland alarm post. Actually, that's not quite true: it was less intentional than that. I pressed the little circle next to my post because I didn't know what the circle was, and suddenly Grok whirred into life.
Grok said: "The post by Fat Roland, a Manchester-based musician and writer known for quirky performances, likely hints at an avant-garde sound experiment, given his history with albums like Hounds of Hulme and ties to Electronic Sound, where the listed items (egg whisk, car manuals, marble cone) could serve as unconventional instruments."
Nope. Wasn't even thinking about music. I was picking things out of thin air. Egg whisk. Car manual. Marbles. I am not Delia Derbyshire; I am not found-sounding my way to legendary status. I'm just thinking "marbles" sounds funny here, so let's write that.
Grok continued: "No scientific studies directly apply, but the concept aligns with research on sound art, such as a 2019 study in the Journal of Sonic Studies, which explores how everyday objects enhance auditory creativity, suggesting Roland’s alarm might be a public art installation."
I have never worked in academia, but I'd imagine that response would strike a chord with lecturers marking student essays. "I have no basis for this, but here's something I reckon." Grok was now imagining me winning the Turner Prize for my sound sculpture, in a a devastating critique of the modern milieu lauded in broadsheet magazines everywhere.
Twitter's AI bot wasn't quite done with me yet. It had one final stretch to make, one more overreach to snap another twine of credibility:
"The timing, posted on September 7, 2025, at 11:51 UTC (3pm BST), coincides with global tensions from Israeli strikes in Doha reported on September 10, 2025, adding an ironic layer—could this be a subtle commentary on chaos amidst world events?"
Thanks for the long dash, Grok, that's so very AI of you. Turns out I'm commenting on Israel's genocide now. From avant-garde sound experimentation to an auditory art instillation to critiquing the collapse of world peace. All that from me finding the word "egg" funny, and deciding that "medium" in parenthesis was funnier that "large" or "small".
At the end of the analysis, Grok cited its sources. The first two links were a Roland synthesiser owner's manual and a manual for a rechargeable egg-beater whisk. So many manuals. Grok is your dad, sitting in his stew-stained armchair, paging through an old Haynes manual, flicking to a page all about sprockets, and deciding that am illustration of a Type B reboreable chain sprocket is a comment on the cost of living crisis.
I'd generate another Grok response, however I respect the environment, and encouraging AI data-mining is something that should be done sparingly, like switching off the hall light when not in use, or only flushing after a number two, or only burning tyres on a Sunday.
Further Fats: Totally gay for Scouting For Girls (2011)
Further Fats: Twitter: a pile of collapsed scaffolding populated by only bird crap and rats (2023)