Showing posts with label aqua. Show all posts
Showing posts with label aqua. Show all posts

Jun 9, 2021

Cover me bad: Eggshell by Autechre

Cover me bad: Eggshell

Nope. Not doing it.

Ah, go on.

I can't keep ruining my blog like this. The previous days' posts have just been embarrassing.

It's what your public want.

No it's not. I've seen the visitor stats. The whole website's tanking. I've lost 20 followers on Twitter.

Just a little one. Go on. Do it.

Absolutely not.

Artist: Autechre
Track: Eggshell
Year: 1993
Reviews: "Muestra el lado más minimalista y bailable del trabajo." 4.5-star Rate Your Music review 

Look, you can insert that text, but I am absolutely not doing one of my parody cover version blog posts.

But it's Autechre. You love Autechre.

Yes, and that's one of their best early tracks. Weirdly euphoric despite being all wibbly and downbeat. That's why I don't want to do a cover version.

Is it because you're not good at doing cover versions?

Shut up. I'm brilliant at cover versions, me. That's why I'm setting up a cover version band-- wait, no. You nearly got me. I am NOT doing this.

How would you make the main tingly keyboard line?

Nope. Not going there.

The smoky IDM chords? Maybe get some smoke?

Stop it. I'm not playing along.

The crunchy percussion? Perhaps get something crunchy, like crisps, autumn leaves or fried chicken.

That's done it. I'm switching you off.

What? You can't switch a blog off. It's not possible.

Yes it is. Stay still. There's a switch here somewhere. Is it round the back?

GET OFF MY BUM.

Do you promise to behave? Stop all this 'Cover me bad' nonsense? It was a vague idea that turned out confusing and bad.

Okay. I'll stop.

Promise?

Pinky promise.

Good.

...

Artist:Aqua
Track: Barbie Girl
Year: 1997 
Reviews: "Garbage!" 1-star Amazon review

AAAAAAARGH! 


Sep 1, 2019

An acid-tweaking return for 808 State


One of this summer’s bestest things is the return of 808 State.

You might know 808 State from that saxophone thing they did back in the olden days. They also helped define modern techno through the rise of Detroit house and the Hacienda. Wikipedia also says 808's Graham Massey was a member of the Barbie Girl Danish pop band Aqua, but I’m pretty sure they’re linking to the wrong Aqua there.

The band’s comeback album is Transmission Suite - their first for seventeen years. In the past, they’ve blurted out quite dense techno, but this new material feels looser. It’s acid-tweakin’ paranoid rave gubbins by grizzled Mancunians who get drug flashbacks when taking their Rennie’s. Sometimes old ravers slow down, but there’s plenty of improvisational energy in this new material.

They recorded it at the old Granada studios in Manchester, formerly home to TV broadcasts like Coronation Street, World In Action and, er, The Chase. The nicest thing is you can feel Manchester’s club history running through Transmission Suite like day-glo varicose veins: it’s giving me flashbacks of gigs at the Boardwalk and Sankeys Soap.

There's also a strong feeling of paranoia in their new work - very appropriate for our current times, I think. Have a nosey at their moody video for Tokyo Tokyo and you'll see what I mean.



Further Fats: RIP Tony Wilson aka "Mr Manchester" 33AD to 2007AD inclusive (2007)

Further Fats: How do you solve a problem like Madchester (and Fac251)? (2010)




Mar 29, 2017

I'm too techno to be Brexit


I'm too mired in Belgian techno, German house and Liechtensteinian glitchstep to be anti-Europe. The stars of the European flag are my disco lights.

I grew up surrounded by people whose parents may well have been fairly new to the UK. And even then, my non-BME friends were geeks and weirdos who never quite fitted in. 'The other' was, in some way, the default of everyone I knew.

So I don't get any of this. People talk about taking back control, but that's hogwash. I've no doubt the Brexit wrecking ball was swung for nefarious reasons, whether it be blatant racism or a niggling distrust of 'the other'. The politics of pressure led to a terminal state of crapage.

That last sentence was constructed from Front 242 titles. They're from Aarschot in Flanders and they make music about the destruction of all that is good.

Yes, the European mainland gave us Aqua, DJ Otzi and Basshunter. And they will pay for this in the Great Pop Putsch of 2019. Dammit, I've said too much. But Europe also gave us... us. If we're not in union with ourselves, then we're little more than post-Zayn One Direction.

Today, little Britain got a little littler.



Further Fats: In the belly of the beast: a week in Tory politics (2009)

Further Fats: This is not an analysis of the EU Referendum (2016)