Apr 4, 2021

From catatonic breakdance to a need for speed: new electronic music for April 2021

Eomac

Are your ears stupid idiots? Do you want to punish your ears? How about punishing your stupid idiot ears with some brand new electronic music?

Here's a smattering of bleepy albums due for release in April 2021.

Murcof's rejoins the Leaf Label for The Alias Sessions, an album written for a dance company in Geneva. I'm not much of a dancer, myself: my moves are limited to confused salsa, catatonic breakdance and eyebrow tango. Murcof's music often resides in little ripples of waveforms, but there are great big tidal washes of noise on this new album. One of my favourite Murcofs for a while.

Jimi Tenor's putting out Deep Sound Learning (1993 - 2000). This scoops up a load of unheard stuff from, you guessed it, 1993 to 2000. Apparently Jimi bombarded Warp Records with endless DAT tapes, presumably using some kind of cassette cannon, and much of it remained in storage until now. I really want a cassette cannon. A tape trebuchet. A reel-to-reel rocket launcher.

The album I'm most looking forward to in April is Eomac's Cracks. This is darkly desolate Dublin bass music that blends the atmosphere of Rival Consoles with the melodic motifs of Aphex Twin. Eomac (pictured above) is 'Cameo' backwards, but I don't know if that means he does backwards walk-on parts in movies, or whether every track is the 1986 party track Word Up! played backwards.

What else? Look out for Facta's Blush, a debut album of folky electronics released on the label Facta jointly owns with the equally pastoral K-Lone. K-Lone's Cape Cira made my best-of-2020 list and Blush certainly feels like a sister album to some extent.

By the way, I'd like to point out that I'm typing all this without the use of one of my index fingers. When cutting bread, I decided to use my hand as a chopping board. This wasn't a good idea, and I cut my finger. It's not a big cut, but it's in a really annoying place, so my middle finger is putting extra work in while my index finger has a long hard think about what it's done. I'm amazeb any og these words sre coming out okau.

And finally, look out for: Caterina Barbieri's Fantas Variations, an album of remixes of a single track from her excellent Ecstatic Computation album; Dawn Richard's Second Line which promises chart-friendly sassy bangers and a whole lot of fun; and Herrmann Kristoffersen's thoroughly listenable Gone Gold, an IDM-influenced imaginary soundtrack for the Need For Speed racing game. Vroom flipping vroom.

Take THAT, stupid idiot ears.