Dec 30, 2025

Best electronic music albums of 2025: the Chuckle Brothers, hotdogs and ketchup

This summary is part of a series, posting between 30th December 2025 and 3rd January 2026

I have this summary of 2025 albums filed under "assorted beats". I really should sack my filing clerk. It goes to show that labels are ultimately meaningless and should be avoided wherever possible, especially for a queer ENFP WASP like me. Oh. Wait...

The Bug vs Ghost Dubs – Implosion (Pressure)

This is a to-me / to-you alternating album, which is as far as the Chuckle Brothers comparison can go. The Bug is in a right huff, all grimacing bass synths and gasping ambience. Stuttgart's Ghost Dubs sounds even more subterranean: his contribution is so dubby and minimal, it's hardly there. Recommended as a headphone listen, preferably while carrying a piano up a staircase.

DJ Babatr – Root Echoes (Hakuna Kulala)

Welcome to raptor house, a genre of music composed by dinosaurs. Oh wait. That doesn't sound right. These frenetic club cuts, collated over the past couple of decades, are the sound of the Venezuela's club scene with massive chunks of UK rave and Eurodance thrown in for joyous measure. Sirens and screams and celebratory drums abound.

Ikonika – SAD (Hyperdub)

It's fifteen years since I first wrote about Ikonika ("more pow than Batman"), but I think this is the first time I've heard a vocal-led album. The beats are as smoky as ever, skipping through sub-genres like a boss, but the addition of her voice has led things in a - dare I say - poppier direction. A thing of beauty that, if released earlier in the year, may have ended up higher on my list.

Low End Activist – Airdrop II (Peak Oil)

The strangled rave calls that open this album sum things up. This is hardcore, but it's throttled to within an inch of its life. A bouncy laser bass drift aimlessly amid spacious ambience, junglist rhythms struggle to lift off amid ghostly synths, a fuzz bass is left on its own to slowly die. This is the dancefloor, but underneath the floorboards where there's dampness and cobwebs and all of rave's darkest secrets.

Mark Pritchard & Thom Yorke – Tall Tales (Warp Records)

From my Electronic Sound review: "Mark Pritchard of Global Communication fame doesn’t just illuminate as Yorke’s foil: he throws fireballs of blinding light. His analogue electronics stutter and spark, with ambience flowing like lava. Yorke appears as an addled narrator dragged, squinting and startled, into Pritchard’s midday sun."

Rian Treanor & Cara Tolmie – Body Lapse (Planet Mu Records Ltd)

I saw this performed live last year, and it was as fascinating as it was uncomfortable. Tolmie chatters and vocalises and yanks sounds from every inch of her body. Treanor accompanies this with machine-gun percussion and squirls of manic electronics. Incongruous Diva sounds like Bjork's Army Of Me on the other side of an apocalypse. 

Verses GT – Verses GT (LuckyMe)

I love a collaboration. Orbital and Kneecap; Leftfield and Lydon, hotdogs and ketchup. This meeting by Jacques Greene and Nosaj Thing is proper supergroup territory. Greene brings the melody, Thing brings the darkness, and somewhere in this middle is this pleasing, melancholic creation. Vocals from the likes of George Riley and Tyson add an r'n'b sheen.

See all of my Best electronic music albums of 2025

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