Showing posts with label bob the builder. Show all posts
Showing posts with label bob the builder. Show all posts

Dec 9, 2020

Dance music fans, I have bad news about Christmas

Kraftwerk shop window pic by AgentBanana

Every now and then, mega cool dance music dominates the charts.

Yeah, I said "mega cool". Deal with it, kids.

Like the time the Chemical Brothers' Setting Sun topped the charts in 1996, the same year the Prodigy took the top spot twice. Or the moment Kraftwerk knocked Shakin' Stevens off number one. Or 21st century bangers breaking past a mush of identikit dance records such as Mint Royale's Singin' In The Rain or Kiesza's Hideaway.

The bad news is that Santa is having none of this. He hates dance music. He's your crusty old grandpa banging on the ceiling with a walking stick, or in his case, an elf. There has never been a mega cool dance hit as Christmas number one.

There must be some Christmas chart toppers with dance elements, right? A pearl among the oysters, a bit of gristle amid the constant stream of watery gravy, something credible besides Jimmy Osmond, Cliff Richard, all the Band Aids and Shayne flipping Ward.

Wait. Yazoo's Only You was Christmas number one in 1983. Vince Clarke! Alison Moyet! Synths! Except this was the a cappella version by The Flying Pickets: not dancey at all. Dammit.

What else? Not much. Mr Blobby's self-titled 1993 Chrimbo chart-topper was a dance music track, with its horrendously outdated Stock Aitken Waterman rhythms. But it can't count: it was a children's singalong with a bunch of kids who deserved to be sent up t'chimneys.

Apart from one track I'm yet to mention, that's it. Everything else is ballads, charity singles or people singing about sausage rolls. If Christmas was a nightclub, it would have been long bulldozed to make way for an Asda. I believe in the power of redemption, such as celebrity chefs doing interesting things with the long maligned sprout, but there is no hope here: the Christmas chart topper will never be a mega cool dance hit.

Except...

There is a pure, club-thumping dance track that made it to number one. It had samples, a roof-raising build-up and key change, and a pretty nifty breakbeat. That's right. Bob the Builder's Can We Fix It? is the most danceable festive number one in history.

Has Bob fixed it? Yes, he has. Have a listen: that's a proper skippy breakbeat right there. Even better, he knocked Westlife off the top of the charts when he became the Christmas chart-topper in 2000. Santa Claus is squeezing down your chimney, and he's armed with a cartoon wrench and Neil Morrissey dressed a reindeer.

Thank you, Bob. Or should I call you Robert? You truly are the most mega cool king of Chrimbo.

*publishes blog post*

*fast-forward to later that night*

*Fat Roland's bedroom, a rattle of chains in the darkness*

FATS: Whaaa? What's that? Who's there?
GHOST: Wooooah. It's me. The ghost of blogs past.
FATS: What do you want? Is it money? Lard? Take the lard! I only keep it on my bedside table for comfort.
GHOST: Whooaah. I'm here to tell you off about that blog post you did. The one about Christmas. Wooooaaaah!
FATS: Since when did ghosts get internet?
GHOST: You didn't mention the Pet Shop Boys Always On My Mind and the Human League's Don't You Want Me. Woooah.
FATS: Can I go back to bed? I've not finished making my Christmas candle and I need to break into my neighbour's first thing to get more earwax.
GHOST: Woooah. You deliberately missed out two of the biggest electronic music hits of all time to make some vapid point about dance music and Christmas. Seriously, dude. It renders your whole point moot. Woah.
FATS: Listen here, matey, get back inside that wardrobe. I'm going to push you back inside that spooky flipping wardrobe.
GHOST: Yikes! Do you always dress like that for bed? That's going to chafe, surely.
FATS: Hey, if it's good enough for Noel Edmonds, it's good enough fo—

*cuts to black*

Pictured above: Glasgow Sound Control's window display at Christmas taken by Agent Banana

Further Fats: Fat Roland's number one album chart death rant (2010)

Further Fats: If it goes bleep, it may or may not be EDM (2013)

Jan 19, 2013

Whatever happened to the cheeky New Year number one?



So Bowie didn't get to number one last week.

Great.

That's that, then. Let's Dance remains his most recent musical legacy of any widespread significance. Sigh.

The thin white berk had a great chance to revive an important musical tradition in the UK pop charts: that of the cheeky New Year number one. It should be easy. No-one buys anything apart from headache pills and diet books in the week after new year, so number one should be a walkover.

The new year charts seem dull these days. A guaranteed post-Xmas X Factor chart-topper, some r'n'b guff and that's about it. A drum 'n' bass track tiptoed in at number 100 and it seems Bon Jovi got back in the top 40, but neither are worth tweeting home about.

Iron Maiden famously topped the charts in 1991 with Bring Your Daughter... To The Slaughter, followed by the ridiculous sadistic monks Enigma. Made-up people often took the chance for a cheeky early-January number one, with Mr Blobby and Bob The Builder inexplicably retaining their top positions after Christmas because there was naff all else to buy.

Cotton Eye Joe. Chocolate Salty Balls. Even Daniel Bedingfield's squeaky anthem Gotta Get Thru This. You cannot tell me that those tracks would have had the same chart-dominating impact without lower sales across the rest of the January charts, as great (or otherwise) as they were.

This weekend may well see the return to the top of the charts by Eminem, 50 Cent and that kazoo-voiced triangle man from Maroon 5. If they were covering White Town's Your Woman, or Aphex Twin's We Are The Music Makers, I'd class it as a cheeky new year number one.

They're not. And so it goes.

Further Fats:  Fat Roland's number one album chart death rant (2010)