A very small 2011 preview featuring Radio 1, Planet Mu and Frankenstein

This time last year, I posted a colossal preview where I swept up every bit of electronic music I could find and shoved it into a crystal ball blog piece the size of Jupiter.

The problem with that was twofold. Firstly, there was a woeful lack of decent pre-release information, and it's not as if I have 92,000 press officers on speed dial on my phone, and so I ended up filling in the gaps with records that I would never have otherwise mentioned on my blog.

Despite that, I still ended up with endless snippets of data that had to be bashed into the shape of a blog post in such a short timeframe, which gave me my second problem: I couldn't edit or check the veracity of my facts to the standard I would normally try to achieve on this blog.

And so, despite what I may have promised on Twitter, I'm not doing an uber-preview for 2011. You'll have to stay tuned to Fat Roland On Electronica if you want to find out the latest from Surgeon, Battles, Luke Abbott, Joker, Instra:mental, Teeel, Flying Lotus, the bloke from Metronomy and, um, David Lynch.

I'm not entirely heartless, and I will allow you a wee preview. The first is happening on a radio station that I tend to assume all my readers are too mature or cultured for. Thanks to a top five album by dubstep supergroup Magnetic Man, Adegbenga 'Benga' Adejumo (pictured) and Oliver 'Skream' Jones will join the In New DJs We Trust roster. It makes me wonder what happened to Mag-Man's third leg, Artwork, but it makes Radio 1 at 9pm on every second Thursday worth listening to.

Also in January, Planet Mu (or Planet µ if you're being pedantic) will release 14 Tracks From Planet Mu, which will contain four new tracks as well as known favourites from Ikonika (her huge earworm Dckhdbtch), Floating Points and more. If you're wondering how essential this is, think heroin, think oxygen, think Santa hats at office parties. Now think of Santa inhaling heroin fumes using an oxygen tank. Yes, children, Santa's a junkie.

Finally, 2011 will be the year in which James Blake (MySpace genre listed as "dub / grime / melodramatic popular song") will release his debut album, which everyone will laud as genre-busting and experimental. Blake will steal everyone's fire this year, although if you want a truly modern Prometheus, have a look at what Danny Boyle is up to later in 2011.... google for Underworld and Frankenstein.

Top ten best electronica albums of 2010: part one of four

This is part one. Please do read the other parts of this blog post: part two, part three and part four
To read last year's top ten best electronica albums, click here.

10 - Lorn – Nothing Else

Marcus 'Lorn' Ortega teased us with the track Until There Is No End on Fat City Records some time ago, a deeply moving slice of apocalypto-funk. Clark, the recipient of my Best Album Of 2010, then went on to master his debut album Nothing Else. You know it because every city in the UK has been plastered top to bottom with stickers promoting the record. In the process, the Brainfeeder sound (crunchy cut-paste J Dilla beats) was quickly knocked several days left of Tuesday with the label's first signing outside of Los Angeles.

It was also Brainfeeder's second album proper, and with Lorn quoting Milton all about the place, you knew it would be something special. Before now, I have praised his testosterone retro and made comparisons to Animal Farm and Bladerunner. The album sounds like Knight Rider having a breakdown: maybe it takes itself too seriously, but Nothing Else soaks you like tears and rain with a sound defined by no-one else but Lorn.

Embrace the synth melancholy. Buy Lorn's Nothing else from Bleep or Boomkat or Piccadilly.

9 - Venetian Snares - My So-Called Life

Like a naughty boy, Aaron Funk ventured away from his natural home at Planet Mu and set up Timesig Records for the (arguably) 22nd studio album from his interior decor / percussion-inspired moniker. Because it was recorded quickly - Snares sees this more of a diary entry than a year's work - My So-Called Life shifted the game somewhat. Well. Slightly. Its still a (detri)mentalist cavalcade of dirty junglism.

The quick recording process lightened the music by precisely nought-point-seven degrees: for example, pastoral string-picking gives way to a beautifully melodic 8bit 'n' bass on title track My So Called Life. But it's the vocal samples that are leaned on more heavily than usual here - and what horrible vocals. Grossly non-PC Welfare Wednesday contains a hilarious jibe at Planet Mu label boss Mike Paradinas, while Who Wants Cake? and Posers And Camera Phones say things that would make Jerry Sadowitz blush.

The most accessible and disgusting Venetian Snares album for a while. Buy it from Bleep or Boomkat or Piccadilly.

8 - Caribou – Swim

Caribou doesn't need any more praise heaped on his handsome locks. Resident Advisor has already pronounced Swim as the album of the year (please don't look at that list too much: mine is horribly and coincidentally similar). And Sun's dizzying refrain ("sun, sun, sun, sun...") loomed heavily over 2010.

I have an entirely personal reason for including Swim here. Opening track Odessa was playing in the bar in which I was getting drunk after my blog awards win, and it kind of became my soundtrack. That's not to downplay the rest of the LP though: crisp, driving house music, chiming hypnotica on Bowls and a nod towards indie pop on Kaili. But really, it's all about Odessa and it's all about the Sun. Sun. Sun. Sun. Dammit, there I go again.

Hunt yourself a Caribou: buy Swim from Bleep or Boomkat or Piccadilly.

Not quite in the top ten (part one)

I will not pretend my list - or indeed any element of my blog - is comprehensive. I also don't think this has been a classic year for electronica, nor that all of these artists are electronica. Crikes. This is like a minefield. Anyhoo, here are some of the albums that didn't pass muster.

I'm astonished at how commercial some of my top ten is this year, although Magnetic Man's eponymous debut album pushed the pop too far to be included, despite MAD and despite it being one of the most important electronic music collaborations of recent times. The same goes for Plastic Beach by the Gorillaz, although that was still a glorious album.

Daft Punk's Tron Legacy soundtrack came very close; maybe it would have helped if I'd bothered seeing the film. I found Darkstar's slow mosh-hopping North difficult to love, while Salem's King Knight didn't tug the earstrings enough for a top placing. Meanwhile, UNKLE bored me to sleep with Where Did The Night Fall.

I was gutted not to include two albums at the opposite end of the electronic sonic spectrum: Ikonika's gamer-baiting Contact Want Love Hate and Brian Eno / Jon Hopkins' Small Craft On A Milk Sea (which is not a great ambient album: it is a great techno album). Any top ten without them would be a crime. It's a fair cop, guv.

This is part one. Please do read the other parts of this blog post: part two, part three and part four
To read last year's top ten best electronica albums, click here.

Magnetic Man's impending chart success is more exciting than electrocuted nipples

A remarkable thing is happening.

Time after time, I vomit on about electronic music. Although my writing style makes women want to be me and men want to snog me, I often leave readers befuddled because electronica in its various forms is as far from the mainsteam as you can get.

If I have ever befuddled you, don't worry: that's a perfectly natural feeling. Like being gay, enjoying Springwatch or sitting in your hairdresser's chair and, when asked how you'd like your cut, pointing to your wallet photo of Justin Biebpipe.

So what's so remarkable? Dubstep, that low-bass fuzzy sub-genre beloved of mostly ignorant broadsheet writers, is about to go mainstream. Magnetic Man's I Need Air scored well in the mid-week chart predictions, and it seems likely to go top ten this Sunday.

Magnetic Man is Skream and Benga and Artwork. I prefer their other tune (MAD) because, well, I Need Air isn't very dubsteppy, but this is their debut single and you ought to rush out to your internet to buy it.

What's most exciting is, if this goes top ten - or hopefully top five - it will be the first time one of my favourite electronic music performers gained widespread attention since that time when my uncle was arrested on Market Street for playing the spoons whilst electrocuting his nipples.

(The video seems to 'crash' with the right-column of this blog. That's because Google can't cope with getting their video service to work properly with their blogging service!)