What's Fat Roland up to? Where is he hiding? Why is he wearing that tutu?
I've been up to lots of things, reader. Here's a bit of an update. I'm aware I've been too busy to blog about music (catch my Twitter feed if you want to hear more from me, or read my column in Electronic Sound), so I'll pepper this news with Vague Music Thoughts (VMTs).
I've mostly been prepping for my show at The Lowry, which is fast approaching so you'd best bag tickets quickly. I've added a couple of extra dates, so you've no excuse to miss it. Unless you're a million miles away. Or in another dimension. Or a dog and therefore have no concept of theatre shows. Here's me in my performance space...
VMT: The Prodigy's Music For A Jilted Generation is a cracking album. I know the one after that got all the plaudits and number one singles, but cor, it's a belter.
I compered a scratch show at Waterside in Sale, in which thesps try out new ideas on a crowd. Nights like this are always wonderfully messy, and if compered right, a real joy for the audience. Plenty of new faces too at Bad Language - packed as usual, with the brilliant Deanna Rodger headlining.
VMT: Boards of Canada's Music Has The Right To Children turned 20 this month. One of those albums I remember hearing for the first time. Those detuned chords. So good.
I popped to the Lake District to perform at Verbalise. Lovely crowd, and I spent some time scuttling through the Serpentine woods looking for adventures. I found a massive caterpillar so I ran away.
VMT: Have a listen to Jon Hopkins' new stuff. Emerald Rush is all dirty and squishy and uplifting. I'll embed it below.
Finally, I have a track on a compilation album. There's a robot-themed CD with the latest Electronic Sound, and you can find my Hounds of Hulme track Rise Of The Dead Robots alongside Devo, Meat Beat Manifesto and John Foxx. This is quite a big thing, really, so I should have led with this. Ah well. Too late now. Have some Jon Hopkins...
VMT: Music's good, innit.
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