Fat Roland's Best Electronic Music Albums of 2021 presents five more brilliant albums:
SectorSept – 954 (Gobstopper Records)
Pssst, mate. Don't tell anyone, but technically this is an EP. It shouldn't be on the list. If you tell anyone, I'll slice ya. Anyhoo, Mr. Mitch's Gobstopper label presents this delicious techno, er, album from this UK / Florida producer. The low-slung beats cast a line between UK bass music and smooth US electro, its low-res vocal samples only adding to the urban atmosphere. Not an artist I've encountered before, so I'll be watching keenly for future releases. A real head-nodder. Say nuthin', alright? Nudge nudge, wink wink, flap flap.
Steven Rutter – Riddle Me Sane (FireScope Records)
Steven who? This is the bloke from legendary Artificial Intelligence act B12. The best thing? He's pretty much doing his B12 thing. Which is all kinds of fantastic. Electronic bloops, skippy snares. dubby bass, gorgeous early Warp vibes. There's a bleepy bit towards the start of the album which I want to either woo into marriage or take on a horrendously dirty weekend away. A melodic treat where, in the vein of classic ambient dub of the Warp variety, the machines truly feel alive.
Stigma – Too Long (Pessimist Productions)
A marching band staggers around the corner. They pound their drums but they're smashed on illegal grog. They stagger into bins, trip over kerbs. The guy at the back, the one with the cymbals, has been mounted by a squid. Welcome to the world of Stigma, the new name for Kristian 'Pessimist' Jabs. Big fat trip hop beats crumble into a pool of post-Massive Attack misery while wiggly bits of electronica splash around at the edges. This damn funk is sliced through with the spirit of Bristol. What a triumph.
Tristan Arp – Sculpturegardening (Wisdom Teeth)
Arp, who counts Arca as a former classmate, created this lilting electronic album during lockdown in Mexico City, a time when many of us were solo-journeying into nature. Sculpturegardening was inspired by Alan Titchmarsh. Oh, hold on. Not Alan specifically. It was inspired by gardening generally, and has a natural, dappled feel thanks to its wavering harmonics and soft cello sounds. Considering the generative processes he used, the result is remarkably pretty. An album for stopping and smelling the Alans. Roses, I mean. Smelling the roses.
Ulrich Schnauss & Mark Peters – Destiny Waiving (Bureau B)
"I’ve never been massaged by puppies on a bed of candy floss," I wrote in Electronic Sound magazine, "but these serene sounds probably come close." I praised the album's "neon pink hallucination of bright open guitar chords and chains of blissful harmonics" before having second thoughts about my opening image. "Maybe not puppies. Kittens, perhaps. Really fluffy ones." Oh dear. Anyhow, this is all jolly and cheerful because it's Schnauss and you know what you're getting with Schnauss. "Possibly turtles?" I wrote. Blimey. Shut up, Fats.
This is part of a series of the Best Electronic Music Albums of 2021. Read it all here.
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