Fat Roland's Best Electronic Music Albums of 2021 presents four more brilliant albums:
Blanck Mass – In Ferneaux (Sacred Bones Records)
When the Guardian reviewed this, they called it "the very definition of niche". I think that's code for "we don't quite get it". This is certainly Benjamin John Power doing something different, as he swaps his flesh-wobbling red-LED maximalism for something more serene. In two long phases, he leads us through sparkling streams of polished pads, through tinkling found sounds, through droning funereal organs, Scanner-style vocal wires. There are relatively few moments – although they are still there – where it feels like he is battering mechanical moles into your brain. Sounds niche. And I approve.
Facta – Blush (Wisdom Teeth)
How did this drop out of my top ten? For flip's sake. Can someone get admin on the line? Here's a snippet from my review of this folky debut for Electronic Sound magazine. "Facta’s insanely good-natured debut is a woodland meander through placid pads and feet-tickling FM synths... On Deck’s cheery vibraphone recalls 808 State’s rosier moments, or last year’s triumphantly tropical Cape Cira from label partner K-Lone [see 2020's countdown]." Speaking of K-Lone, it does work as a sister album: this Balearic delight is another gleaming triumph for the Wisdom Teeth label. Well done, teeth fairies!
Hannah Peel – Fir Wave (My Own Pleasure)
Hannah Peel is well jammy. For this fourth album, she was given access to the Delia Derbyshire archives. She rebuilt that historic audio into a haunting Mercury Prize-shortlisted tribute to library music and nocturnal chill-out. Cycles of fuzzy synths pay homage to the likes of Global Communication, and the thrilling build on Ecovocative is pure Ulrich Schnauss. All the while, this is uniquely Peel, and you can easily draw a line of heritage to her ace spacy album Mary Casio. I presume she got permission for the Delia samples, and didn't break into the archive like the Pink Panther, the Oceans Eleven fellas or an especially naughty badger.
Herrmann Kristoffersen – Gone Gold (Bytes)
Over to my Electronic Sound writing again for this tribute to the classic Electronic Arts video game Need For Speed. (Yes, really. Apparently the Kristoffersen half of the partnership used to compose music for Nintendo.) "Unsurprisingly for something released on Bytes, named after the legendary Black Dog album, there’s more than a hint of Artificial Intelligence here. The nostalgia works: cue a montage of Playstations, Gameboys and blocky Designers Republic geometrics... There is widescreen emotion on Gone Gold, its wistful IDM washes as filmic as any modern cutscene." Vroom, vroom.
This is part of a series of the Best Electronic Music Albums of 2021. Read it all here.
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