Fat Roland's 2010 electronica preview, part two: The Official BBC Electronica DJs In Need Medley

This is part two of my 2010 preview. Here is the link for part one.

Writing a preview for 2010 is easy for earlier in the year. Once you get into spring onwards, it all gets a little fuzzy. So here's my attempt at a preview of electronic music in the rest of 2010, but it may look a little like a blind man punching at the wind.

April - December: "boom bang a bang"

In yesterday's preview, I missed the somewhat tribal Nice Nice and their See Waves single in February. But what I can say is, in April they will give us Extra Wow, an album advertised by their label as a "sprawling psychedelic monolith." I also missed Soma 2010, the Glaswegian techno label's slightly delayed annual compilation bonanza.

Flying Lotus's DJ Kicks CD, mentioned yesterday, should get an mid-April release. Meanwhile, in May, Venetian Snares will win the Eurovision song contest with his version of Boom Bang A Bang. Okay, I lied about that bit.

As summer bears its sweaty heat down upon us, you should go and see Orbital: they'll be touring again, in particular at the Isle Of Wight festival in the middle of June.

LFO collaborator Bjork will appear on the soundtrack to summer 2010’s guaranteed blockbuster movie Moomins And The Comet Chase. Yep. That’s right. The Moomins. Imagine Moon, but replace all the Sam Rockwells with talking marshmallows. This is going to be a classic.

And I can bring your more information about Battles. The band called a ceasefire while Tyondai Braxton worked through some solo stuff, but it’s back to war again in 2010 – well, at least, in the second half of 2010 when their new album is due.

And finally, for scheduled releases in 2010, it's time to get Parisian on yo ass. Daft Punk have been leaking Tron Legacy images on their Twitter feed. The duo have recorded the soundtrack to the film, although it’s not due for release until Christmas 2010. I reckon this will at least ten per cent better than the Moomins film.

Other electronica releases in 2010: "glitchy wonkiness"

Like an unwashed Top Gear fan, I am severely lacking in dates. But this much I know is true:

Eclectic 2-stepper FaltyDL, who delivered Love Is a Liability for Planet Mu this year, is working on a disco album. In less exciting news, "crazy” beat jugglers The Avalanches are in the process of clearing samples for an album supposedly due out in '10 – but don’t hold your breath.

I read somewhere that Boards of Canada have been working on material for three years and it should hit in 2010, but I that’s all I know. And while I'm speculating, Bibio released about 42,000 albums in 2009, so don’t be too surprised to see more material in 2010.

Ikonika will be hopping from Planet Mu to the excellent Hyperdub label to produce a soulful dubstep album without all the wobbly basslines. Hyperdub is not only due to release material from London rookie DVA and long-time grime producer Terror Danjah - they're also promising a debut single from a new artist they're refusing to name.

The glitchy wonkiness foisted on us by Glasgow's LuckyMe crew should continue to be a highlight for 2010. The most anticipated album of 2010, for my money, is the one by Rustie. Assuming he gets round to recording one. And Hudson Mohawke is working on material with Olivier Daysoul – whether it means another album, we’ll have to wait and see.

Expect an album from De Tropix, whose Adeyhey joint has been smearing dancefloors this year. De Tropix is aa London duo that bridges the gap between Prince Buster and Neneh Cherry,

You can also expect something from Gold Panda, with his lovely mix of techno wandering and folktronic meandering. Broadcast will produce an album in 2010, following up their amazingly entitled 2009 production Broadcast And The Focus Group Investigate Witch Cults of the Radio Age.

Oh and there's Manchester band's Everything Everything's debut album too. And the Klaxons maybe. And lots of stuff from the Outkast boys. And Floating Points. And Tiefschwarz. And Beak, a.k.a. that bloke from Portishead.

Let me leave you with a final thought from the greatest dance band of all time.

The Vengaboys recently started touring again and are working on a new single to be released soon. Their producers Danski and Delmundo have released a statement that possibly summarises 2010's potential musical legacy. The Vengaboys say:

"2010 is the year! Look out for the new hit! It's the most gay song we've ever made."

Actual quote. Brilliant. That's enough blogging for a couple of days. I'm off for a lie down and a pint of whisky.

This is part two of my 2010 preview. Here is the link for part one.

Fat Roland's 2010 electronica preview, part one: or How I Learned To Stop Worrying And Instead Develop A Festering Hatred For Anything On The Wrong Side Of Easy Listening

This is part one of two 2010 preview posts. Here is the link to part two.


Welcome to my ball-bursting, clown-punching, thigh-nuzzling preview of what to expect from electronic music in 2010.

I cannot claim this to be comprehensive, nor even accurate, and I am likely to veer off the rails to feature music I wouldn’t normally be too bothered with on this purist blog. But if it goes “bleep”, then it’s probably registered on my radar at some point, even if it didn’t make the final edit.

Where shall we start? I know...

January: "it sounds exactly like La Bloody Roux"

Beth Ditto will be shouting her massive gob all over the radio again, this time on Simian Mobile Disco’s Cruel Intentions. It will be massive? Why? Because it sounds exactly like La Bloody Roux. To counter that, why not bring things down with noise experimentalist Merzbow, who will complete his massive but quite unlistenable Japanese Birds series with the final two albums in January and February. (See my original, bird-filled post on that series here.)

Manchester glorious bleep poppers Delphic will channel the spirit of New Order when they drop their Acolyte album in mid-January.

See him mashing up the beats and then serving them with peas and a steaming pork joint? That's Bullion. Already known for filtering the sixties through his turntablism sensibilities, his Say Goodbye To What single is described as having a “magical Boards of Canada-visit-Studio 54 feel”.

Howse about a big name for 2010? Croydon mailboy Peter O’Grady will have a great time as Joy Orbison. He is also working on tracks on Four Tet’s fifth album - and their first for four years: There Is Love In You is out towards the end of the month.

Also look out for Miike Snow's Silvia: there's something I like about that guy, despite his unkept hair. Keep one eye out for the Super 8 Bit Brothers, if only to distract you from the energy-sapping truth that William Orbit is releasing a whole box set ('Odyssey') of his pleasing, populist electronica.

Oh and if there isn't enough brainless acid mentalism in January, Mike Dred's got new material out.

February: "an ill-fated 22-track concept album"

February is an absolutely massive month for dance music fans. And no, I'm not referring to Josh Wink's Airplane Electronique or Groove Armada's no-doubt snoozesome Black Light album. Nor do I mean The Streets' Computers And Blues, or indeed Fatboy Slim and David Byrne's ill-fated 22-track concept album about Imelda Marcos.

No, the 'massive' refers to the return of Massive Attack with what is only their fifth studio album in a billion years. Heligoland will be released exactly seven years after 100th Window, and promises treats in the shape of Guy Garvey, Martina Topley-Bird, the guitarist from Portishead AND a seriously exciting remix project from dubstep king Burial.

Speaking of Bristol musicians, production mad skills for 2010 will go to Joker - watch out for his various mixes sprinkling the record shelves throughout the year.

Oh and speaking of dubstep, this slightly jaded sub-genre could go go seriously mainstream in 2010. The main contender could be Benga and DJ Zinc when they collaborate with Ms Dynamite in February. Look out for La Roux remixer Skream too.

Or maybe the battle for the mainstream will be won by Philadelphia’s Diplo, who has teamed up with chart-topper Robyn (the Swedish Kate Bush, anyone?) – although following the pair’s studio sessions, Diplo admitted “I think we broke dubstep.” Silly Diplo.

Hot Chip will make a welcome return in February. Their new long-player One Life Stand will include 70s rock legend, This Heat drummer Charles Hayward. No, me neither.

The Album Leaf will present A Chorus Of Storytellers. mixed by a member of Sigur Ros which gives you an idea of the direction of the album, while Flying Lotus will appear on Muhsinah's single Always / Lose My Fuse. Also watch out for FlyLo's other projects this year: his work with Samiyam under the name FLYamSAM and an inevitably stupendous DJ Kicks album.

If there isn't enough brainless acid mentalism in February, Ceephax Acid Crew has got a new one out ('United Acid Emirates' - genius).

Members of !!! and LCD Soundsystem will guest on electro producer Pantha Du Prince's Black Noise album in February. LCD themselves will release an album in March, although with its rock and disco influences, don’t expect it to feature too heavily on this blog. Which brings us neatly to...

March: "hear it on a BBC ident near you"

Cartoon popstars the Gorillaz have signed up very real, uncartoony versions of Snoop Dogg, Lou Reed and, um, Barry Gibb for their third LP Plastic Beach. Expect it to arrive before Easter.

Electronic breaks / trance duo Hybrid have promised an orchestra on their new album Disappear Here in March or April. I don’t think it’ll be very interesting, but do expect to hear it in a BBC ident near you.

For the less commercially-minded, there's Gonja Sufi's essential new album A Sufi And A Killer. There is also Plaid's "experimental Ambisonic piece" Nord Rute based on recordings taken with reindeer herders. Expect a launch event with Luke Vibert in March.

Autechre will feature on the same bill as Salt N Pepa at Bloc 2010 (mentioned here in November). I cannot write that enough. Autechre will feature on the same bill as Salt N Pepa at Bloc 2010. If you think about it, what's the difference? Really?

Tim Simenon will revive his Bomb The Bass moniker with LP Back To Light, while Dan Le Sac and his quick-tongued chum Scroobius Pip will try to revive the good old days of 2007 - they will start March with a single called Get Better and follow it with album Logic Of Chance a couple of weeks later.

Does It Offend You, Yeah? have the most nauseating album title of the year. Don't Say We Didn't Warn You will complete their final metamorphosis into being a slightly synthier Muse.

Ooo, I nearly forgot Goldfrapp. Head First will be preceded by single Rocket. I have something scribbled here about Tyondai Braxton, but I'm not sure what it means. Hopefullly he will take time out from his fancy classical music commissions to produde a new Battles album.

Finally in March, To Rococo Rot (they of big beat fame) promise their new album Speculation will be "measured" and "restrained". If you want to be as adventurous as Keane, what's the point? And Starkey will follow his 2009 single OK Luv with some more bad boy bleeps on his album Ear Drums and Black Holes, due out at the end of the month.

Sadly, there isn't enough brainless acid mentalism in March.

This is part one of two 2010 preview posts. Here is the link to part two.

Top ten best movies of 2009: part three of three

These are my final top ten favourite films of 2009. It's a re-edited and expanded version of my provisional list posted in November.

This is part three. Check the rest of my blog for parts one and two.

Other films of note

The best British comedy of 2009 was In The Loop, although I think it suffered against a superior TV series. The best US comedy was The Hangover, but it certainly wasn't enough for a top ten position.

Sean Penn's turn in Milk is worth a mention, as is the uplifting headlocker The Wrestler. 9 was astonishing to look at and is an essential DVD purchase, while The Men Who Stare At Goats may just be Clooney's best performance yet.

As for animation, Watchmen was bold in its scope and is a classic of its kind, while Up certainly gave us the best five minutes of the year when it tracked the courting, the marriage and the loss of a beautiful relationship in a heart-breaking montage.

Oh and Coraline should claim the best 3D visuals of the year, but it seems James Cameron stole that thunder in his otherwise tripe-spewing Avatar.

On with the final two...

2 - Moon

"I'm here to keep you safe, Sam. I want to help you."
Gerty

Sam Rockwell has been mining on the moon and is ready for his imminent trip back to earth to see his wife and kids. Surely the last two weeks of the mission will pass without event?

It's difficult to talk about Moon without giving too much away, because it's the bizarre plot that is the crux of the whole film. Is this real? Who is Sam Rockwell? Is Kevin Spacey really trapped inside that computer? In short, there is an accident and then Sam's reality shatters into space debris.

The isolation of the moon jumps from the screen in spine-freezing chills as Rockwell gives a compelling performance as a man who is trapped and scared and just wants to go home. The soundtrack, as you'd expect from David Bowie's son, is tremendous. This film is experimental, complicated and effective.

I wish I could say more. Just see it. Watch the trailer.

1 - Where The Wild Things Are

"Will you keep out all the sadness?"
Carol

Max is a naughty boy who ends up in a forest full of monsters. Wild rumpus ensues. Max gets home in time for supper. The end.

This is Spike Jonze's first directorial feature since the mind-fizzling Adaptation seven long years ago, so the numerous cinema punters who walked out half way through probably have no idea that Jonze was never going to deliver (a) a standard blockbuster about monsters nor (b) a standard children's film about monsters.

Because this isn't about monsters. Yes, the furriness of Max's friends helps fuzz things up a lot, but this is fundamentally a film about childhood - and the loss of it.

Empire magazine called this a 'mood piece', and they are right. The plot doesn't matter: the joy and the frustration of childhood is writ large in Where The Wild Things Are. It's so brilliantly realised and uncompromising (you should read Dave Egger's accompanying novel), this makes it the best film of 2009.
Max lives in a world where his actions have no consequences, where his world is the only one that matters. He has no idea what his selfishness is doing to his family, and he is on that cusp of having to put childish things behind him - but he can't let go.

And so, he joins the world of Carol and Judith and KW and all the Sesame Street drop-outs as they smash down their own homes, nearly crush Max to pieces, punch holes through trees and engage in childish squabbles.

There is a sinister edge throughout (the eating threats, the pile of bones, the suffocation scene later on), but it is only enough to keep us a little uneasy without ever resorting to nastiness.

The inevitable goodbye, where the monsters howl in glorious unison as they mourn for Max's friendship and for their own hopeless state, ought to leave you floored and broken - but also a little thankful for the short childhood you had.

This is part three. Check the rest of my blog for parts one and two.

Top ten best movies of 2009: part two of three

These are my final top ten favourite films of 2009. It's a re-edited and expanded version of my provisional list posted in November.

This is part two. Check the rest of my blog for parts one and three, as and when I've written 'em.

6 - Anvil: The Story Of Anvil

"We're gonna be rock stars."
Lips

Anvil were a real band and this is a real documentary following their very real hopes and dreams.

Let me address comparisons to a certain comedy rockumentary that was funny to the level of 11. Yes, Anvil has the same kind of down-to-earth silliness, and it proves that the drudge of normal life can be frequently hilarious when small minds dream big dreams. But the comparison stops there.

Here are a bunch of guys who had their day a long time ago, but their rock dream remains alive. As we follow their triumphs and tragedies, their mentors and opportunists, you become increasingly aware this is a touching study of ageing and how normal people cope when there's so much to achieve and too little time left in which to achieve it.

For those about to watch this masterpiece, I salute you. Watch the trailer.

5 - A Serious Man

"Very troubling... very troubling..."
Clive

A suburban family man tries to get by. His wife wants a divorce, his brother is moving in, he has a daughter he doesn't understand, and his son is in trouble at school. So he seeks advice from three rabbis.

The Guardian called this a very un-Coen Brothers film. They are completely wrong, because this has all the Coen trademarks: slightly left-of-centre characters, Jewish jokes, small-town mentalities, lots of pot, amazing hairstyles and a script that is so tight, you couldn't stick a shekel between the pages.

The strange repetition of incidents and dialogue along with all the references to God, and the fact you have to see this twice to really get it, puts A Serious Man alongside Donnie Darko as a mysterious, symbology-laden cult classic.

Don't you want a film to love? Watch the trailer.

4 - Let The Right One In

"Be me, for a little while.
Eli

I love children's films. Schoolboy befrends local girl. Schoolboy is bullied. Schoolboy and local girl chat in the snow. Local girl gets people killed so she can drink their blood, provoking the vengeance of the neighbourhood.

Let The Right One In is a thoroughly gruesome horror film where the innocence of youth is torn apart by a vampire's bloody trade in blood-drained bodies and residents torn apart in subways. And young Oskar thought he had it hard just being picked on in the playground.

It is also a delicate study of love and childhood friendship, in which Oskar and Eli need each other in a world that is frightening and confusing. And the fact that it is set in a freezing Sweden and it has some brilliantly psychopathic cats makes it Very Cool Indeed.

Who needs twilight when you can have sheer darkness? Watch the trailer.

3 - Mesrine: Killer Instinct

Nobody kills me until I say so."
Jacques Mesrine

This is the first part of a brace of films following Jacques Mesrine's globe-pillaging career as one of the most notorious gangsters in history.

We see the end of the film first, so we know where it's all going to finish, but the ride along the way is exhilarating. Speeding through his life, often leaping months and years to leave us filling in the gaps, we have raids and affairs and shootings and fightings and oodles of moody dialogue.

Despite the rapier editing, the film does put its brakes on for one moment during an attempted prison break. As the inmates edge towards a perimiter fence, trying to avoid the gun-sights of tower guards, the teasing tension is absolutely no clue to the massively violent and surprising twist of fortune that is about to be unleashed.

It ranks up there with Goodfellas. Watch the trailer.

This is part one. Check the rest of my blog for parts two and three, as and when I write 'em.

Top ten best movies of 2009: part one of three

These are my final top ten favourite films of 2009. It's a re-edited and expanded version of my provisional list posted in November.

This is part one. Check the rest of my blog for parts two and three, as and when I write 'em.

10 - Drag Me To Hell

"You'd be surprised what you'll do when the Lamia comes for you."
Rham

This is a silly horror film in which a loans manager irks an elderly client, who then unleashes the curse of the Lamia upon her unsuspecting ass.

Amid a raging torrent of modern horror franchises, this film trumped on two significant counts. Firstly, it is quite scary. From the most terrifying handkerchief in the world, to the inevitable but still shocking conclusion, Sam Raimi ramps up the tension from start to finish.

And it would be too much tension but for the second significant factor: the humour. The comedy can be quite base (sucking someone to death having lost your false teeth, the staple in the woman's forehead) but it's done with a light touch and keeps the respect for the basic horror of the plot.

I feel awful including this in the top ten at the cost of In The Loop and Milk - but this is Raimi on top form. Watch the trailer.

9 - District 9

"What is 'eviction'?"
Alien

The politics are obvious. The style is inconsistent. But otherwise, this story of a tragic mis-management of an alien colony is compelling viewing.

And that's the point. District 9 really shouldn't work. Avatar has a much better final battle scene, while the aliens really do look like overgrown prawns. And the whole film's rip-off of The Fly should render it null and void for any discerning movie-goer.

But it's the sheer emotional pull that works here, on the side of Sharlto Copley's helpless cog in the human system as well as the prawns panicking for their lives. It's one of those few films where you are thrown into a complete world right from the start, with its slumdog sci-fi grubbiness, and you never question it once.

District 9 is *almost* the best sci fi film of the year (keep reading!). Watch the trailer.

8 - Slumdog Millionaire

 
"Maybe its written, no?"
Jamal

The rags-to-riches story of a poor-to-do boy is told through the strange construct of a television contest. So what makes this better than X Factor's Sigur Ros-soundtracked vignettes, then?

For a start, this snapshot of India (past and present) looks and sounds beautiful, from the sun shining off the tin slum houses to the girl in the gold dress promising so much for Jamal. It is brilliantly scripted, the TV host character is a revelation, and it pulls off the clever trick of feeling like a novel on screen.

More importantly, it has that crazy, overpacked feel of a debut feature. And yet, this is Danny 'Trainspotting' Boyle. Is this his best movie since the story of those Scottish junkies? No, because I think Sunshine is fabulous.

But it still rocks - Bollywood style. Watch the trailer.

7 - Frost/Nixon

I'm in this for all I've got.
David Frost

David Frost, desperate to save his floundering career, sets up an interview with Richard Nixon, the law-dodging president of the United States. What could possibly go wrong?

Frost/Nixon is set up like a boxing match, with the aides of each side constantly giving their prize fighters advice. And what brilliant aides: there isn't a bad actor here, with Frost's sidekicks providing more than a little light relief to counterbalance what is essentially a dry remake of a television interview.

You could be fooled into thinking this is a two header. It is not. With the likes of Kevin Bacon and Sam Rockwell in the wings, it can only be an ensemble piece. But it is ultimately about one man's battle against another. The stakes are high, and the added fiction of a dramatic late night phone call from Nixon to the gregarious TV presenter only serves to stoke the tension to the point of exploding.

Nixon famously lost the battle... but the outcome in this film is a lot less clear. Watch the trailer.

This is part one. Check the rest of my blog for parts two and three, as and when I write 'em.

Top ten best electronica albums of 2009: part three of three

This is part three.
For part one, click here. 
For part two, click here.
 
1 - Clark - Totems Flare

Readers of this blog know I make little secret of my love for Warp Records. So it's no surprise that one of their mob finds itself as the absolute Fat Roland favourite for 2009.

But this album is justified in being number one.

Chris Clark began with Warp in 2001, releasing a succession of albums and EPs that seemed to get better as the decade strolled on. His sound was firmly entrenched in Aphex-style 'IDM' electronica; it was muckier behind the ears without being too unpleasant.

If electronica fans in dark corners started whispering that Clark had lost a little of his sheen with 2008's Turning Dragon, they needn't have fretted.

The tentative first notes of Outside Plume on his 2009 album Totems Flare sounded like robots getting up in the morning and wondering what was in store for the day ahead. To be honest, it probably represented Clark's waking realisation that he had to step things up a gear: more of the same was not an option.

So the day ahead for those yawning robots was a torrent of yelping synths, snares that sounded like a hundred people clapping, themes piling on top of themes, melodic progressions that will chime a bell for any Orbital fan, and furiously grumpy electro workouts.

An mp3 of Growls Garden preceded the album, and is the second track here. It starts with vocals about sunbeams before ripping into the nastiest piece of pop perfection you've ever heard: a catchy choon with a full-on dance beat, all bathed in an insistent brown fuzz. It is the most startling and pompous electronica tune of 2009.

The bobbling beginning of Rainbow Voodoo ends up sounding like Front 242 in a Benny Hill video. And this one gets nasty too, all scratches and farting machines, before switching all the lights on and becoming something Mario would mushroom-dance to.

But if I'm painting this album as a nasty, snarling beastie, I'd be doing it a terrible service. There is straight electronica too, like the understated Luxman Furs, the acid house of Look Into The Heart Now, and Primary Balloon Landing's sweeping interlude.

And that's not all. There is beauty in bucket-loads on Totems Flare.

The speed junglism of Totem Crackerjack careers into a tinkling melody and a wibbling synth solo that would warm the frostiest of frowns. Suns Of Temper is a low-down, driving techno track that floats into a thin, heavenly chorus before descending into a bombastic drum anthem smothered in chords that wail like the titular Wild Things in Spike Jonze's recent film.

Future Daniel returns to the crunchiness of the first few album tracks before leading us down a crazy-paved path of a ever-so-slightly eighties tune, while Talis, another vocal piece, is melancholic and mega and would sit comfortably with the simple guitar-led closer of Absence.

Clark's Totems Flare was a bold statement. You can not only produce uncompromising electronica that rips at your speakers while at the same time swathing you in gentle melodic bliss: you can even add vocals to it and not sound like a tosser.

And so Mr Christopher Clark finishes the decade in style. If you want to know what my favourite track title is from Totems Flare, see this post. In the meantime, listen to Growls Garden and buy the best electronica album of 2009 from Bleep or Boomkat or Piccadilly.

This is part three.
For part one, click here. 
For part two, click here. 

Top ten best electronica albums of 2009: part two of three

This is part two.   
For part one, click here. 
For part three, click here. 

5 - DâM-FunK - Toeachizown

80s boogie anyone? See if you can guess why I never featured this album on my blog before: he was a Warren G session musician, his album is full of smooth chord changes and all-out soul, and he runs nights in California called Funkmosphere (!).

So why number five? It's an electronic album that gets under your skin. The insistent boss drum, the spiralling synth themes, the genius tweaking of a filter here, the acid flare-up there. It's got a simple funk veneer, but scrape that away and you have an album of staggering inventiveness, bustling with analogue synths and vintage drum machines.

Quality *and* quantity... and it's a debut album. Listen to this YouTube sampler.  Buy the album from Bleep or Boomkat or Piccadilly.

4 - Hudson Mohawke - Butter

Turntablist-turned-aquacrunker Hudson Mohawke had one of the most anticipated releases of the year when Butter came out in October. But even though I said it would be "massive than a horse explosion", it seems the preceding Polyfolk Dance EP got more plaudits in 2009.

Butter was a dizzying mix of the low-fi and the futuristic, taking something as old fashioned as turntablism and making it sound synthetic, forced but accessible. Was it rave? Was it hip hop? Was that Prince?! No-one knows, but there was no doubt this was the defining sound of electronica in 2009.

Wrap your ears around ZOo00OOm. Buy the album from Bleep or Boomkat or Piccadilly.

3 - Dan Deacon - Bromst

Bromst was Dan Deacon's umpteenth album but only his second professionally released on Carpark Records. It's probably not bleepy enough for this blog, but it didn't stop me calling Bromst a cacophonous bliss in April.

I might have overstated the brilliance of the album back then, but hark ye at the frantic arpeggios of Red F, the stamping over Susumu Yokota's legacy with the woodwind backing in Paddling Ghost, and the hypnotic, shimmering Surprise Stefani. It's a perfect companion to that Animal Collective album you've no doubt got.

Simply glorious. Listen to Paddling Ghost. Buy it from Bleep or Boomkat or Piccadilly.

2 - Bibio - Ambivalence Avenue

Pull up a campfire and marvel at this stunning debut for Warp Records. Bibio's summery rustic guitars could have sat firmly in the folktronica camp, something I'm not a huge fan of, but instead it ran hurtling around the borders of techno and produced the mind-blowing Ambivalence Avenue.

If you don't buy this, you are stupid, You should know that, because I told you in June. The pop psychedelia of Jealous Of Roses or the delightfully catchy refrain of Haikuesque (When She Laughs) was enough for a great album, but then you get the Prefuse 73-friendly beats of Fire Ant or the kick drum of Sugarette punching holes in your record decks.

I cannot praise this album enough: it has been a very good friend to me since the summer. Listen to Fire Ant. Buy it from Bleep or Boomkat or Piccadilly.

Not quite in the top ten (part two)

Why I chose a top ten rather than a top 97, I don't know. But it does mean that some musickers didn't reach the dizzying heights of my top ten, despite deserving plaudits.

Moderat, the hugely impressive collaboration between Apparat and Modeselektor, didn't quite punch me in the face enough. Neither did Prodigy's Invaders Must Die, which blew the speakers but not my mind. And Jega's Variance, with all its Aphexisms, wasn't quite enough either. The spacey IDM of Nosaj Thing's Drift is definitely worth a look in too, despite being missed off.

This is only an album top ten, so the following artists missed out on a technicality: Floating Points produced some gorgeous EPs, while Bullion's Young Heartache EP took Hudson Mohawke's cut-up style to a new level - and what a shame not to include the eminently loveable track Until There is No End by Lorn.

This is part two.   
For part one, click here.
For part three, click here. 

Top ten best electronica albums of 2009: part one of three

This is part one.   
For part two, click here. 
For part three, click here. 

10 - Telefon Tel Aviv -  Immolate Yourself

This band started 2009 with two momentous events: the death of Charles Cooper and the release of this third studio album. Such tragedy overshadowed a great album full of 1980s analogue confidence - and curtailed what would have been a fascinating future for the pair.

I called Immolate Yourself "insubstantial" back in January, but you have to lie back and let yourself be overtaken by it. One moment it is channelling the ghost of the Pet Shop Boys, while the next moment it could be Brian Eno in a cavern or the Human League on GHB.

It was unashamedly pop: check the new wave joy of Helen Of Troy. Buy it from Bleep or Boomkat.

9 - Lone - Ecstacy And Friends

My computer speakers can't cope with Lone's new album, as I mentioned here just a few weeks ago. Maybe my old cobwebby PC just has a function in it that cannot cope with anyone who grabs Boards Of Canada, rubs them up against Bibio and produces a beats album that gave Hudson Mohawke a run for his money.

This was Nottingham boy Lone's difficult third album: a lush, poly-rhythmic long player that, t'be honest, struggled to be heard amongst all the other rhythm-reapers of 2009. It's difficult to exorcise the washing repetitions of Waves Imagination, or to brush off to smooth, silkiness of the future party track To Be With A Person You Really Dig.

Get some good speakers, then listen to Waves Imagination (Goldies Timeless without the d 'n' b, anyone?) Buy it from Bleep or Boomkat or Piccadilly.

8 - Lukid - Foma

Luke 'Lukid' Blair's sophomore long-player took the foundations laid by Autechre and Eno and blew them wide open. Foma was this year's first essential electronica album, and it sounds even better knowing what albums came after from other artists in 2009.

This is utterly in the vein of classic electronic music (it is the sound of a man playing with his machines into the wee hours of the night). The crunchy wooziness seemed to stretch it out into something new, until the sound was more ambient than a dialling tone. The buzzing anticipation of the first 30 seconds of Slow Hand Slap are better than most albums this year.

Have a listen to Fall Apart, and while you're doing that, buy it from Boomkat or Piccadilly.

7 - 2562 - Unbalance

Dubstep inspired by Detroit techno? This was the unlikely starting-point for 2562, whose Unbalance was a rhythmic, deep follow-up to his much acclaimed 2008 debut Ariel. Of course, dubstep is a tired genre, and this album was in danger of being swept under the dancefloor. Indeed, I didn't even feature it on this here website.

But listen! The pounding Flashback was a nuclear missile aimed squarely at your feet, while the reverberating saw bass of Like A Dream or the snapping loops on Yes/No reminded you this was music for the head too. How could you ignore it? 2562's Unbalance was a triumph.

Have some trippy Love In Outer Space. Buy Unbalance from Bleep or Boomkat or Piccadilly.

6 - Harmonic 313 - When Machines Exceed Human Intelligence

More than most on this list, Harmonic 313 succeeded in carving out a very particular furrow this year. By the time When Machines Exceed Human Intelligence came out at the start of the year, Harmonic 313's solid techno sound was already recognisable.

Don't get distracted by the Speak and Spell novelty value: there is true feeling here. I rather pretentiously described Harmonic 313 as a "siren song of a cyborg" calling from some distant shore. It's not. It's just great subwoofer-friendly dance techno (check the bass on Cyclotron!) churned out by one of the best ambient producers of the past 20 years

Quandrant 3 is quite lovely and brilliant. Once you've listened to that, purchase the LP from Bleep or Boomkat or Piccadilly.

The top five will be on this site from tomorrow...

Not quite in the top ten (part one)

I never claim this blog to be comprehensive, even though it is subtitled 'From AFX to Yokota'. So here is what missed the list for no reason other than, well, I didn't put it on the list.

I didn't include Grizzly Bear's Veckatimest, even though I loved Two Weeks. It just wasn't electronic enough for this top ten run-down (same for the wonderful Animal Collective long-player Merriweather Post Pavilion). Other albums just passed me by, so there's a severe lack of Zomby's Nintendo-nudging One Foot Ahead Of The Other, nor is there Jon Hopkin's compelling Insides album.

I kinda got bored with Venetian Snares, so that's why Filth isn't featured. And this is an album top ten, so what a shame I couldn't mention some great tracks from 2009: Burial's expansive Fostercare, Kode 9's excellent Black Sun (well done, Hyperdub, for a great year), or a definite classic, Mount Kimbie's Maybes.

This is part one.   
For part two, click here. 
For part three, click here.