Today, my Manchester preview of Kraftwerk Badger Spaceship was a top five pick on Creative Tourist by my utterly unbiased Bad Language colleague Joe Daly. The article's quote "you may struggle to know what you've seen" is better than any blurb I've come up with: it feels like a performance challenge as much as a description.
Here's where I'm up to with the show:
NOT GOING OUT.
I've cleared my diary so I can continue working on the show. I don't want to miss a good idea. More importantly, I need to allow head-space for that internal critic...
I've just approved proofs for flyer artwork. I'm not quite sure the flyers are good enough. But I haven't got the creative energy to do better: it's all going on the darn show.
I'm aware my publicity has had very little traction overall, but I'm also aware that I just want to survive the 14 day run without everything going on fire or being attacked by buffalo. If I get a single review or column inch, it's a bonus. Consider that expectation parked.
HAVING A BREAKTHROUGH.
I had a mini breakthrough last night when I ditched a bit of material I thought I *should* do - but actually, the show's stronger without it. It's probably the riskiest thing I've done in my planning: I hope it holds together. Already, I feel more certain about my show than I did in this blog post.
I've some writing left to do, mainly little visual stings that will drop in every ten minutes, and a whole bunch of marker pen madness to do. So if I don't go to your event / drinks, it's because I'm getting jiggy with a sharpie (see above).
Actually, I don't use sharpies. I tend to need better art pens for the kind of shizzle I do. Y'know. Just saying. Jeez, shut up about the sharpies already.
Want to see me in Edinburgh? Here's some Free Festival information.