Plaid: Feorm Falorx (Warp)
When I declared Plaid’s previous album Polymer as the best album of 2019, I wrote: “This is a Plaid album that feels angry”, pointing out their descent “into a valley of darkness”. I still think that’s their magnum opus, their chef-d'oeuvre. Feorm Falorx is quite the mood change, shining a light into the shadows. The concept is that we’re enjoying a Plaid gig at the Feorm festival on the planet of Falorx. Bear with me, now. The festival is infinite and Plaid are made of light beams. Before you dismiss this as fanciful nonsense, I’ve actually been there. It’s a lovely planet with: attractive hedgerows; thrumming baroque melodies; fluffy headnod rhythms; Plaid’s trademark seductive spiralling melodies multiplied by a thousand; a fully functioning network of motorways and b-roads; epic highs soaked with anxious ambience; characterful guitar work from Mason Bee; and a splendid visitor’s centre gift shop. Even better with the beautifully designed accompanying graphic novel by Emma Catnip.
Album feels: Light beams. Aliens. Basically like visiting Mars with your phone light on.
Cover art: That bit in Arrival where they're talking to aliens inside the floaty baked bean.
From another website: If there’s anything to find comfort in these days, then it’s the fact that Plaid are still around, ready to provide another door to escape through – at least for a fleeting moment. (The Quietus)
This is part of a series of the Best Electronic Music Albums of 2022. Read it all here.
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