Wagon Christ used to be everywhere. He'd spout his daft block-rockin' beats, and us disciples would follow in his sandals, witnessing his miracles, lapping up his communion wafers, er, nuzzling his Jesus beard, um, I think I've lost control of this metaphor.
Recepticon is the long-awaited return of Luke Vibert's experimental moniker, which was originally a Rising High ambient project but quickly became the go-to name for accessible experimental dance music. It gave me instant flashbacks to my DJing days in the 1990s: the speed breaks of 1998's Lovely were a delight to mix.
So we have wonky downbeat, loping grooves, fat acid, party samples ("Hello, everybody!") and self-referential track titles like Boogie Serious and Special Designer Song. He throws it all into the bag then empties out a rag-tag jumble of retro fun. It's Wagon Christ at his best.
Come O Wagon Christ. Fill us with your loaves and fish. Let us exalt you by, erm, signing up to the church newsletter. Let us do something with a hassock even though we're not quite sure what it is. Crikes, these Jesus metaphors really are adding nothing.
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