Edit: Lone's album is mentioned in my top ten electronica albums of 2009.
N-n-n-n-n-n-finally, Mike Slott has coughed up a debut mini-album. It's called Lucky 9teen and if I was going to mark it out of ten, I'd give it n-n-n-n-n-n-twenty six.
Opening with hymnal chords and excitable cheering, the record spins us through broken hip hip that digresses through muddy puddles of jazz and beguiling troughs of 80s synthorama.
He's produced more than a handful of tracks with Hudson Mohawke in the past, although if Mohawke's music is patchwork slacks reeking of doobie smoke, Slott's sound is a bit more suited and booted and sporting a sparkly bow tie.
Listen to Mike Slott's Lucky 9teen at Boomkat. Keep an eye on the Slott: he's not just making new electronica: with the likes of Dabrye and Rustie, he's busy inventing it. N-n-n-n-n-n-good work.
While I'm musing about broken beats (do people still say that these days?), let me point you towards Lone's Ecstacy And Friends. Lone is Nottingham's Matt Cutler and a label-mate of Lukid. He has ripped a few pages from Bibio's sun-bleached book and produced an album of such melodic heat, it will leave your skin cripsy and sizzling like an inattentive beach bather.
I'll warn you now though: the kick drum hits so hard, your crap computer speakers will wither wretchedly. Catch snippets of Lone's Ecstacy And Friends here.