Andy Stott and Lone split the accolade in 2012.
Before we get there, here are some big and big-ish names that didn't make my list.
Perhaps Sampha's soul is too straight-up to be considered for inclusion here, but the instrumentation on the Mercury-winning Process (Young Turks) was top notch. I also fell for the alluring ethereal pop on Colleen's A Flame My Love, A Frequency (Thrill Jockey). I was perhaps less personally taken with the prog tendencies of James Holden & The Animal Spirits' The Animal Spirits although it's clearly a very good album indeed.
Mount Kimbie surprised me (pleasantly) with the post-punk vibes of Love What Survives (Warp Records). Vintage synth fans take note. I found Clap! Clap!'s A Thousand Skies (Black Acre) in some ways exhausting, but then again that album is a spaceship ride, not a Sunday drive. And I doff my hat to Fever Ray's Plunge (Rabid Records), a trip for fans of quirky pop and big fat keyboards.
Kaitlyn Aurelia Smith got plenty of accolades this year for her new-agey The Kid (Western Vinyl) vocal-led, as did Kelela on the astonishing debut album Take Me Apart (Warp Records). Both albums are worth your time, particularly if vocal-led albums tickle your tassels. And finally for this section, maybe start your 2018 resting in the hot dappled glow of lackadaisical sounds on Laurel Halo's Dust (Hyperdub).
Scroll all of the best 2017 electronic albums by clicking here.